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Choreography
Sounding Off
Broken Sound2 by Brian Webb Dance Company
Review
By Jennifer Mesch
Footsteps Across Canada
A Journey Across Canada's African Diaspora
Review
By Colleen Snell
Skating on the (B)rink
Article
Feature
By Philip Szporer
Exchanging Gaze
Liz Santoro and Pierre Godard at PuSh
Review
By Brittany Duggan
Major Motion Picture
Out Innerspace Dance Theatre
Review
By Robin J. Miller
Telling Histories in Present Tense
Royal Winnipeg Ballet
Review
By Emma Doran
Van Grimde Corps Secrets
Symphonie 5.1
Review
By Philip Szporer
Rock Dance Returns
The Holy Body Tattoo and Godspeed You! Black Emperor at PuSh
Review
By Brittany Duggan
Urban Myth
Next Stage Theatre Festival
Review
By Christina Strynatka
After Thirty Years, Kokoro Dances the Book of Love
Review
By Andrea Rabinovitch
The Big and Small of Power Dynamics
Review
By Christina Strynatka
When Love Was Pink
Review
By Mark Mann
Permission to View Freely
entrances and exits by TOES for Dance
Review
By Sarah Lochhead
Bird Bee Bat Attack
Review
By Samantha Mehra
Jackie Latendresse
Article
Column
By Dance Current Staff
The Chaotic Clutter of Consumerism
Review
By Zoe Quinn
Rhythms of Familiar Lovers
Review
By Emma Doran
Wherefore Gender
Review
By Jordan Arseneault
Exploring the Manic, the Dark and the Wild
Prairie Dance Circuit
Review
By Amanda Bereska
Choreographic Residencies Across The Country
Article
Feature
Denise Solleza
Lee Slinger
Pluton
La 2e Porte à Gauche, Danse-Cité and Agora de la danse
Review
By Philip Szporer
The Need to Feel Special
The Principle of Pleasure
Review
By Jordan Arseneault
PANAMANIA
Article
Column
Lee Slinger
Brittany Duggan
Sarah Lochhead
Dancing on the Edge 2015: Part 2
MOVE: the company and Wen Wei Community Dancers
Review
By Pia Lo
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