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Reviews
I am from Reykyavik Is a Moving Reflection on Place
Artist Sonia Hughes makes her North American debut at Festival TransAmériques
Review
By Philip Szporer
In Murmuration, Le Patin Libre Explores What It Means to Be With Others
Athleticism and theatricality merge to create mesmerizing choreographic configurations on ice
Review
By Dylan Schoenmakers
The Body Is the Ultimate Site of Articulation in Deciphers
Naishi Wang and Jean Abreu explore possibilities of communication in their collaborative work
Review
By Philip Szporer
DARK
MATTER
makes the “(afro)futuristic and enigmatic body” a galaxy of meaning
The edgy, multi-faceted work by Amsterdam/Brussels-based Cherish Menzo explores tempo remixing, rap anthems and Black identity
Review
By Rachel Silver Maddock
Shumka Dancers’ Nutcracker Infuses Ukrainian Culture Into the Storied Ballet
Dance Victoria presents an energizing twist on a holiday classic
Review
By Alexandra Woodley
TransFoRM Connects Dance Communities Through Joy and Celebration
University of Calgary’s inaugural Movement Research Festival opens with a showcase of choreographers
Review
By Emily Losier
Flesh and Sound Uses Choreography, Sound and Music to Create Magic
Creators Paco Ziel, Bernardo Alvarado Rojas and Siam Obregón offer a ritualistic journey to audiences at Montréal, arts interculturels
Review
By Philip Szporer
Kidd Pivot’s Assembly Hall Weaves Worlds With Style
Crystal Pite and Jonathon Young’s newest creation is a meta-study of temporality, absence and agency
Review
By Rachel Silver Maddock
Cassa Pancho’s Ballet Black Makes Their North American Premiere with Double Bill Pioneers
Isabela Coracy gives an unforgettable performance as Nina Simone in Mthuthuzeli November’s Nina: By Whatever Means
Review
By Jaimie Nackan
You Are Part of the Fun in Kamuyot
Charlotte Ballet brings Ohad Naharin’s joyful piece to Toronto at the the Fall for Dance North Festival
Review
By Martin Austin
The Fourth R Is a Powerful Call to Action on Climate Change
Toronto dance company Dance Fachin takes audiences on a compelling journey through a series of interconnected dance narratives
Review
By Bronwen Malloy
Sacred Waterways and Woven Baskets
Method Dance Society and Mocean Dance Investigate Water at Vancouver’s Dancing on the Edge Festival
Review
By Rachel Silver Maddock
Joshua Tree Combines Dance, Music and Visual Arts
Choreographer Brian Webb Invokes Empathy for the Human Experience in Joshua Tree
Review
By Stacey Murchison
X (DIX) Has Longing At Its Core
Guillaume Côté Blends Contemporary and Ballet To Create A Forceful and Honest Examination of Desire
Review
By Dylan Schoenmakers
Navy Blue Grapples With Notions of Social Insignificance
Choreographer Oona Doherty struggles with nuance as she comments on humanity’s moral indifference
Review
By Philip Szporer
Enemy Lines
Is a Powerful Reflection on the Effects of State Violence
Choreographer Mayumi Lashbrook delivers an engaging piece exploring the impact of Japanese internment camps from her great-grandmother’s perspective
Review
By Serena Lopez
Les limites infinies de la peau Is Poetic and Affecting
Caroline Laurin-Beaucage presents a meditative piece that uses water as a third character
Review
By Véronique Morin
Because You Never Asked Is a Haunting Rallying Cry Against Hate
Roger White’s conversations with his grandmother about Nazi Germany form the backdrop of this moving piece
Review
By Philip Szporer
Le cri des méduses Is a Sensorial Feast
Alan Lake Factorie draws inspiration from Géricault’s famous painting The Raft of the Medusa to create a surreal, shocking theatrical world.
Review
By Rachel Silver Maddock
Red Sky’s
Miigis: Underwater Panthe
r Captures the Scale of History and Prophesy in a Skillful and Intimate Epic
The performance premiered in Toronto before beginning its tour of Canada and the United States
Review
By Dylan Schoenmakers
Circa’s Sacre Enthralls but Falls Short of the Score
The Australian circus-dance company’s take on The Rite of Spring nails spectacle but just misses sensitivity
Review
By Rachel Silver Maddock
National Ballet’s MADDADDAM Takes an Inventive Approach to Margaret Atwood’s Dystopian Trilogy. But Is It Too Much?
The production, a world premiere choreographed by Wayne McGregor, runs until Nov 30
Review
By Dylan Schoenmakers
Liz Kinoshita’s Double Bill Holds Power and Potential
5 Standards and You Can’t Take It With You combine in contrasting ways
Review
By Emily Pettet
The Case of the Murder Mystery Dance Show
Votive Dance takes a creative risk with WHODUNIT?, using an unconventional format
Review
By Emily Pettet
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