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Choreography
Stories Rarely Told
Compagnie Kunal Ranchod’s upcoming mixed program shares personal stories of immigration, love and renewal, themes not often explored in ballet
Article
Preview
By Lucy Fandel
Toronto-Born Choreography App Levels Up
With an understanding of the financial strains often placed on those in the arts industry, StageKeep continues to offer flexible payment options
Article
Column
By Anne Dion
Behind the Scenes With Superheroes Cry Too
A Q & A with co-artistic director Céline “ezzeC” Richard-Robichon
Article
Video
By Lucy Fandel
National Ballet’s MADDADDAM Takes an Inventive Approach to Margaret Atwood’s Dystopian Trilogy. But Is It Too Much?
The production, a world premiere choreographed by Wayne McGregor, runs until Nov 30
Review
By Dylan Schoenmakers
Behind the Scenes With Momentum of Isolation
Shay Kuebler on the challenges of mounting a production-heavy work and its resonance with a post-COVID audience
Article
Video
By Emily Pettet
What Do Emerging BIPOC Contemporary Dance Artists Want to See Post-Pandemic?
The creators of NAPPY Dance Collective discuss some of the issues facing BIPOC artists in Calgary
News
By Jenna Shummoogum
A Space to Ask Hard Questions
Inside adelheid’s re·research program
Article
Column
By Elizabeth Emond-Stevenson
Dancing into Parenthood
Article
Column
By Grace Elliott
Winter Awards and News 2017
News
By Dance Current Staff
New Year and End of Year Awards
News
By Dance Current Staff
More of the Same Strange Forever
Fractals of You by Tentacle Tribe
Review
By Mark Mann
Canadian-Latin American Dance Today
Vanguardia Dance Festival
Review
By Christina Strynatka
Backup Singers Dance Centre Stage
Good Women Dance Collective
Review
By Jennifer Mesch
Can Choreography Really Change Music?
Review
By Lori Straus
Strength in Unity
Review
By Kate Stashko
Love Hurts
Review
By Catherine Genest
Moving Bodies
How does the centrality of bodily experience affect interdisciplinarity in dance?
Article
Feature
By Helen Simard
Pursuing Pauses with Patience at Angikam Seminar
Kathak guru Nahid Siddiqui advises students to slow down while chasing the beat
Article
Feature
By Aparita Bhandari
Call of the Wild
Review
By Philip Szporer
Melissa Tuplin
Arts administrator and member of Dancing Monkey Laboratories
Article
Column
By Dance Current Staff
Dance for All the People
Review
By Lucy Fandel
Michael Caldwell
Article
Column
By Dance Current Staff
The Dance Deck Trois is Rich, Intimate and Authentic
Review
By Rachel Silver Maddock
Performing Performances
Review
By Kathleen Smith
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