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Choreography
Why Love What You Will Lose?
Review
By Don Rieder
Moving Beyond the Pas-de-Deux
Four Montréal-based dance artists discuss gender in contemporary dance
Article
Feature
By Helen Simard
Finding Rhythm, Finding Soul: Q & A with Alexandra Clancy
Article
Column
By Denise Solleza
The Range at ROMP!
From experimental solos to Le Jazz Hot
Review
By Robin J. Miller
Research and Development
Catching up with Sasha Ivanochko
Article
Column
Sasha Ivanochko
Lee Slinger
Edge 2 and 3
Dancing on the Edge 2016
Review
By Rachel Silver Maddock
Dance at Toronto’s Luminato Festival 2016
Article
Column
By Miya Shaffer
Ballet BC Rehearsal Director Sylvain Senez Retires
Article
Feature
By Brittany Duggan
Habitual Gestures
Article
Feature
By Pia Lo
A Wild Way Home in Le Petit Prince
Choreography by Guillaume Côté
Review
By Mark Mann
Memory, Music and Dance
EDAM presents Induction
Review
By Rachel Silver Maddock
Haunted by the Real in Dana Michel’s Mercurial George
Festival TransAmériques 2016
Review
Philip Szporer
Mark Mann
Mille batailles
Festival TransAmériques 2016
Review
Mark Mann
Philip Szporer
The Black Piece by Ann Van den Broek
Festival TransAmériques 2016
Review
By Mark Mann
Cross-Canada Checkup
Canada Dance Festival takes the pulse of dance in Canada
Article
Feature
By Kathleen Smith
Existential Reflections
Review
By Philip Szporer
Renaissance Reimagined
Ballet Kelowna
Review
By Brittany Duggan
A Ferocious Dance Toward the Heart
Serge Bennathan and Les Productions Figlio
Review
By Naomi Brand
The Inertia of a Heavy Heart
DA Hoskins
Review
By Emma Doran
Blinded by Sound, Playing at Life
Bill Coleman and Gordon Monahan’s Dollhouse
Review
By Victoria Mohr-Blakeney
La Démarquise
Louise Bédard Danse
Review
By Mark Mann
The Beauty of Life in Progress
Program 2 by Ballet BC
Review
By Pia Lo
Avec Pas d’Coeur
Maï(g)wenn et les Orteils question intellectual disability and sexual intimacy as a human right
Review
By Lucy Fandel
Finding Balance: Text, speech and audio, oh my!
Review
By Kallee Lins
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