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Tagged As
Performance
Wherefore Gender
Review
By Jordan Arseneault
Exploring the Manic, the Dark and the Wild
Prairie Dance Circuit
Review
By Amanda Bereska
The Future Dancers of Canada
Part 2
Article
Photo Essay
By Dance Current Staff
Simon “Klassic” Xavier
Article
Column
By Dance Current Staff
Pluton
La 2e Porte à Gauche, Danse-Cité and Agora de la danse
Review
By Philip Szporer
The Need to Feel Special
The Principle of Pleasure
Review
By Jordan Arseneault
PANAMANIA
Article
Column
Lee Slinger
Brittany Duggan
Sarah Lochhead
A Mix of Light and Shadows
Dusk Dances 2015
Review
By Mark Mann
Breakdancing at its Best
News
By Amanda Bereska
Dancing on the Edge 2015: Part 2
MOVE: the company and Wen Wei Community Dancers
Review
By Pia Lo
Dancing on the Edge 2015: Part 1
Edge 5 and Steppin’
Review
By Lori Henry
Dancers’ Studio West’s Dance Action Group
Review
By Sarah Todd
The Beginning of the End (and Why it Should Happen Again)
Review
By Sky Fairchild-Waller
A Meeting of Minds
Merce Cunningham archivist David Vaughan and Pepper Fajans at Montréal’s Fringe Festival
Article
Feature
By Philip Szporer
Cutting to the Chase
Review
By Jillian Groening
Canada Dance Festival 2015
Challenging the Idea of Dance
Review
By Mercedes Déziel-Hupé
Happily Ever After
The National Ballet of Canada’s The Sleeping Beauty
Article
Column
By Deanne Kearney
An FTA Round Up
Review
By Philip Szporer
Ratmansky & Côté: An Effective Juxtaposition
Article
Column
By Christina Strynatka
Beautiful Choices in Ratmansky and Côté
Article
Column
By Naya Valdellon
Living, Breathing, Sensing: 605 Collective
The Sensationalists
Review
By Andrea Rabinovitch
Robinson Repurposed
Tedd Robinson’s FACETS
Review
By Mercedes Déziel-Hupé
Remote Sable Island brought to life by Mocean Dance
Review
By Shannon Webb-Campbell
It’s a Mad and Wonderful World: Alice’s Adventures in Wonderland
Article
Column
By Naya Valdellon
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