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Tagged As
Performance
Sin and Un-Earned Redemption
Giselle
Article
Column
By Aziza Mohammed
Giselle’s Restless Spirit
An Enthralling Gift from The National Ballet
Article
Column
By Emily Trace
A Wild Way Home in Le Petit Prince
Choreography by Guillaume Côté
Review
By Mark Mann
Memory, Music and Dance
EDAM presents Induction
Review
By Rachel Silver Maddock
Le Petit Prince
A step in a different direction
Article
Column
By Grace Elliott
Le Petit Prince
All the Right Ingredients
Article
Column
By Michael Morreale
Nothing Petit About It
Depth and Meaning in Côté’s Le Petit Prince
Article
Column
By Liz Ostil
Cruise Ship Dancing with Edmonton’s Sierra Lacombe
Article
Column
By Dance Current Staff
Haunted by the Real in Dana Michel’s Mercurial George
Festival TransAmériques 2016
Review
Philip Szporer
Mark Mann
Mille batailles
Festival TransAmériques 2016
Review
Mark Mann
Philip Szporer
The Black Piece by Ann Van den Broek
Festival TransAmériques 2016
Review
By Mark Mann
Existential Reflections
Review
By Philip Szporer
Renaissance Reimagined
Ballet Kelowna
Review
By Brittany Duggan
A Ferocious Dance Toward the Heart
Serge Bennathan and Les Productions Figlio
Review
By Naomi Brand
The Inertia of a Heavy Heart
DA Hoskins
Review
By Emma Doran
Blinded by Sound, Playing at Life
Bill Coleman and Gordon Monahan’s Dollhouse
Review
By Victoria Mohr-Blakeney
Perspectives and Possibilities in Dance at University
Article
Column
By Isabelle Gagnon
La Démarquise
Louise Bédard Danse
Review
By Mark Mann
The Beauty of Life in Progress
Program 2 by Ballet BC
Review
By Pia Lo
Avec Pas d’Coeur
Maï(g)wenn et les Orteils question intellectual disability and sexual intimacy as a human right
Review
By Lucy Fandel
Finding Balance: Text, speech and audio, oh my!
Review
By Kallee Lins
Sounding Off
Broken Sound2 by Brian Webb Dance Company
Review
By Jennifer Mesch
The Pleasure of Cacti’s Prickle
NBoC’s Mixed Programme
Article
Column
By Matthew Pariselli
Footsteps Across Canada
A Journey Across Canada's African Diaspora
Review
By Colleen Snell
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