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Reviews
A Global Garden
Mile Zero Dance presents a worldwide performance with Garden Party
Review
By Olivia C. Davies
Theatre Reimagined
Ismailova Theatre of Dance embraces the digital in Seeking Everyday Magicians
Review
By Rachel Silver Maddock
The Privilege of the Pastoral
Grove raises crucial questions during a period of global outcry
Review
By Erin Baldwin
Extricating Liveness During COVID-19
Thea Patterson’s Silvering in Confinement
Review
By Philip Szporer
A Glitch in Paradise
Zata Omm’s Eden Planted
Review
By Dylan Schoenmakers
On Collapsing Pain Into Prayer
Sampradaya Dance Creations’ MANDALA
Review
By Brannavy Jeyasundaram
The Courage to Be Kind
One Kind Favor by George Stamos
Review
By Helen Simard
The Inner Lives of Clowns
Kemi Projects explores performance and desire in new work Known
Review
By Erin Baldwin
When Bygones Won’t Let Go
The newest work from Out Innerspace Dance Theatre
Review
By Kate Morris
Dystopian Impressions
Marie Béland’s Beside
Review
By Philip Szporer
Expanding Their Reach
All Bodies Dance Project investigates sightless dance
Review
By Rachel Silver Maddock
On the Steps of the Escalators
An after-hours performance with jes sachse
Review
By Tak Pham
Devious Spine Chills
Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters
Review
By Xdzunúm Danae Trejo-Boles
Humanity Adrift
Alan Lake Factori(e)’s Le cri des méduses
Review
By Dylan Schoenmakers
Repetition is a Form of Change
Andrea Peña’s Untitled I + III
Review
By Helen Simard
In the Grip of a Crowd
Hanna Kiel’s Resonance
Review
By Erin Baldwin
A Quizzical Assortment
Three choreographers remix Melanie Demers’ Cantique
Review
By Philip Szporer
Performing Radical Sincerity
Dana Michel’s CUTLASS SPRING
Review
By James Oscar
A Glimmer of Hope
Rodney Diverlus and Syrus Ware’s burn, burned
Review
By Valeria Nunziato
Reclaiming Narrative for a Contemporary Audience
Josh Beamish’s @giselle
Review
By Rachel Silver Maddock
Defying the Familiar
dance: made in canada’s Mrozewski Series
Review
By Valeria Nunziato
Blending In, Blending Out
Syreeta Hector’s Black Ballerina
Review
By Valeria Nunziato
That Sweet Spot Between Gallery and Stage
Alexa Mardon and Erika Mitsuhashi’s Tender Engine
Review
By Rachel Silver Maddock
An Electric Bolt of Messy
Helen Simard’s Requiem Pop
Review
By Philip Szporer
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