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Reviews
Dystopian Impressions
Marie Béland’s Beside
Review
By Philip Szporer
Expanding Their Reach
All Bodies Dance Project investigates sightless dance
Review
By Rachel Silver Maddock
On the Steps of the Escalators
An after-hours performance with jes sachse
Review
By Tak Pham
Devious Spine Chills
Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters
Review
By Xdzunúm Danae Trejo-Boles
Humanity Adrift
Alan Lake Factori(e)’s Le cri des méduses
Review
By Dylan Schoenmakers
Repetition is a Form of Change
Andrea Peña’s Untitled I + III
Review
By Helen Simard
In the Grip of a Crowd
Hanna Kiel’s Resonance
Review
By Erin Baldwin
A Quizzical Assortment
Three choreographers remix Melanie Demers’ Cantique
Review
By Philip Szporer
Performing Radical Sincerity
Dana Michel’s CUTLASS SPRING
Review
By James Oscar
A Glimmer of Hope
Rodney Diverlus and Syrus Ware’s burn, burned
Review
By Valeria Nunziato
Reclaiming Narrative for a Contemporary Audience
Josh Beamish’s @giselle
Review
By Rachel Silver Maddock
Defying the Familiar
dance: made in canada’s Mrozewski Series
Review
By Valeria Nunziato
Blending In, Blending Out
Syreeta Hector’s Black Ballerina
Review
By Valeria Nunziato
That Sweet Spot Between Gallery and Stage
Alexa Mardon and Erika Mitsuhashi’s Tender Engine
Review
By Rachel Silver Maddock
An Electric Bolt of Messy
Helen Simard’s Requiem Pop
Review
By Philip Szporer
Gogol’s Glitch
Kidd Pivot’s Revisor
Review
By Philip Szporer
Skin, Pain, Plastic and Paper
Kelly McInnes’s SHINY at the Vancouver International Dance Festival
Review
By Rachel Silver Maddock
Alien Rituals
10 Gates Dancing’s TRUST at the Vancouver International Dance Festival
Review
By Rachel Silver Maddock
Renaissance, Ritual and Passion
Toronto Dance Theatre’s Persefony Songs
Review
By Collette Murray
Lonely Elegy
Akram Khan’s XENOS
Review
By Philip Szporer
In the Cypher
Three street-to-stage performances in Montréal
Review
By Helen Simard
Phosphorescent Figures Rattle
Priscilla Guy and Sébastien Provencher’s Deux squelettes
Review
By Philip Szporer
Stepping into the Twilight of the Sacred
Canada’s Royal Winnipeg Ballet presents Vespers at the National Arts Centre
Review
By Sheenagh Pietrobruno
Navigating the Voyage
Lucie Grégoire’s Territoires
Review
By Philip Szporer
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