The Dance Current

Reviews

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Dystopian Impressions

Marie Béland’s Beside

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Expanding Their Reach

All Bodies Dance Project investigates sightless dance

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On the Steps of the Escalators

An after-hours performance with jes sachse

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Devious Spine Chills

Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters

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Humanity Adrift

Alan Lake Factori(e)’s Le cri des méduses

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Repetition is a Form of Change

Andrea Peña’s Untitled I + III

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In the Grip of a Crowd

Hanna Kiel’s Resonance

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A Quizzical Assortment

Three choreographers remix Melanie Demers’ Cantique

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Performing Radical Sincerity

Dana Michel’s CUTLASS SPRING

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A Glimmer of Hope

Rodney Diverlus and Syrus Ware’s burn, burned

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Reclaiming Narrative for a Contemporary Audience

Josh Beamish’s @giselle

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Defying the Familiar

dance: made in canada’s Mrozewski Series

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Blending In, Blending Out

Syreeta Hector’s Black Ballerina

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That Sweet Spot Between Gallery and Stage

Alexa Mardon and Erika Mitsuhashi’s Tender Engine

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An Electric Bolt of Messy

Helen Simard’s Requiem Pop

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Gogol’s Glitch

Kidd Pivot’s Revisor

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Skin, Pain, Plastic and Paper

Kelly McInnes’s SHINY at the Vancouver International Dance Festival

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Alien Rituals

10 Gates Dancing’s TRUST at the Vancouver International Dance Festival

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Renaissance, Ritual and Passion

Toronto Dance Theatre’s Persefony Songs

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Lonely Elegy

Akram Khan’s XENOS

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In the Cypher

Three street-to-stage performances in Montréal

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Phosphorescent Figures Rattle

Priscilla Guy and Sébastien Provencher’s Deux squelettes

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Stepping into the Twilight of the Sacred

Canada’s Royal Winnipeg Ballet presents Vespers at the National Arts Centre

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Navigating the Voyage

Lucie Grégoire’s Territoires

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