The Dance Current

Reviews

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Blending In, Blending Out

Syreeta Hector’s Black Ballerina

Review
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That Sweet Spot Between Gallery and Stage

Alexa Mardon and Erika Mitsuhashi’s Tender Engine

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An Electric Bolt of Messy

Helen Simard’s Requiem Pop

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Gogol’s Glitch

Kidd Pivot’s Revisor

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Skin, Pain, Plastic and Paper

Kelly McInnes’s SHINY at the Vancouver International Dance Festival

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Alien Rituals

10 Gates Dancing’s TRUST at the Vancouver International Dance Festival

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Renaissance, Ritual and Passion

Toronto Dance Theatre’s Persefony Songs

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Lonely Elegy

Akram Khan’s XENOS

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In the Cypher

Three street-to-stage performances in Montréal

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Phosphorescent Figures Rattle

Priscilla Guy and Sébastien Provencher’s Deux squelettes

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2017 Vespers - Evelyn Hart and Liam Caines - Photo by Stanislav Belyaevsky (1)

Stepping into the Twilight of the Sacred

Canada’s Royal Winnipeg Ballet presents Vespers at the National Arts Centre

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Navigating the Voyage

Lucie Grégoire’s Territoires

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Turn Me Inside Out

Rock Bottom Movement’s fantasylover brandishes a feminist awareness with a self-aware wink

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The Roots and Realities of Colourism

Esie Mensah’s Shades: What is Colour?

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Watching is Not Seeing

Rebecca Margolick and Andrea Peña & Artists

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IAmWeAreOne(2) - Jane Mappin - Credit Michael Slobodian

Inner Worlds and Outer Lives

Janelle Hacault and Jane Mappin at Festival Quartiers Danses

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Chutes Descendre au ciel - Alix Dufresne et Marc Béland

Our Inevitable Fall

Alix Dufresne and Marc Béland’s Chutes: Descendre du ciel

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A Process of Fulfillment

Benchmarq presents Darshan

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Make It Rain

Eroca Nicols is the truthteller

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Yes Manifesto (2018)

Linnea Swan interprets modern dance history, makes us laugh, makes us cry and makes us laugh-cry

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Sensational but Stuck

Breakaway Entertainment’s Anatomy of a Dancer at the Toronto Fringe Festival

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The Why and How

In Threes and The Fall at the Toronto Fringe Festival

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Curating Time

Plastic orchid factory’s i miss doing nothing

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Fortunate Misgivings

Quantum Fur, curated by Geranium

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