The Dance Current

Reviews

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Turn Me Inside Out

Rock Bottom Movement’s fantasylover brandishes a feminist awareness with a self-aware wink

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The Roots and Realities of Colourism

Esie Mensah’s Shades: What is Colour?

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birds sing a pretty song - Rebecca Margolick - Credit Maxx Berkowitz

Watching is Not Seeing

Rebecca Margolick and Andrea Peña & Artists

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IAmWeAreOne(2) - Jane Mappin - Credit Michael Slobodian

Inner Worlds and Outer Lives

Janelle Hacault and Jane Mappin at Festival Quartiers Danses

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Chutes Descendre au ciel - Alix Dufresne et Marc Béland

Our Inevitable Fall

Alix Dufresne and Marc Béland’s Chutes: Descendre du ciel

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A Process of Fulfillment

Benchmarq presents Darshan

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Make It Rain

Eroca Nicols is the truthteller

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Yes Manifesto (2018)

Linnea Swan interprets modern dance history, makes us laugh, makes us cry and makes us laugh-cry

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Sensational but Stuck

Breakaway Entertainment’s Anatomy of a Dancer at the Toronto Fringe Festival

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The Why and How

In Threes and The Fall at the Toronto Fringe Festival

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Curating Time

Plastic orchid factory’s i miss doing nothing

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Fortunate Misgivings

Quantum Fur, curated by Geranium

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No Holds Barred

Gearshifting Performance Works’ Phase Wash

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Bodily Reflections

Sasha Ivanochko’s new works

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Songs for a Nervous System

Jean-Sébastien Lourdais’ Bleu

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Tereka Tyler-Davis, Hollywood Jade, Raoul Wilke, Miha Matevzic

A Night at the Juke Joint

The latest from Holla Jazz

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Shadows Against a Sunset

pataSola dance’s Rift

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Blurry Reverie, Retinal Rivalry

Dana Gingras’s anOther, in collaboration with Sonya Stefan and Group A

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“Story-Being”

Nova Bhattacharya’s Decoding Bharatanatyam

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When Representation (Almost) Becomes the Norm

Contemporaneity 2.0 at Progress Festival

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Aria Evans Prevailing Voices

What I Saw and How I Felt

Aria Evans and Lilia Leon's Prevailing Voices

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Discovering That “Little Girl”

Claudia Chan Tak’s Bienvenue chez moi, petite Malgache-Chinoise

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Shadows, Portraiture, Mime and Velvet

Four works old and new at 3,2,1 Dance!

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Bgirls, Body Image and Being “Bossed Up”

that “F” word by SaMel Tanz

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