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Reviews
Reclaiming Narrative for a Contemporary Audience
Josh Beamish’s @giselle
Review
By Rachel Silver Maddock
Defying the Familiar
dance: made in canada’s Mrozewski Series
Review
By Valeria Nunziato
Blending In, Blending Out
Syreeta Hector’s Black Ballerina
Review
By Valeria Nunziato
That Sweet Spot Between Gallery and Stage
Alexa Mardon and Erika Mitsuhashi’s Tender Engine
Review
By Rachel Silver Maddock
An Electric Bolt of Messy
Helen Simard’s Requiem Pop
Review
By Philip Szporer
Gogol’s Glitch
Kidd Pivot’s Revisor
Review
By Philip Szporer
Skin, Pain, Plastic and Paper
Kelly McInnes’s SHINY at the Vancouver International Dance Festival
Review
By Rachel Silver Maddock
Alien Rituals
10 Gates Dancing’s TRUST at the Vancouver International Dance Festival
Review
By Rachel Silver Maddock
Renaissance, Ritual and Passion
Toronto Dance Theatre’s Persefony Songs
Review
By Collette Murray
Lonely Elegy
Akram Khan’s XENOS
Review
By Philip Szporer
In the Cypher
Three street-to-stage performances in Montréal
Review
By Helen Simard
Phosphorescent Figures Rattle
Priscilla Guy and Sébastien Provencher’s Deux squelettes
Review
By Philip Szporer
Stepping into the Twilight of the Sacred
Canada’s Royal Winnipeg Ballet presents Vespers at the National Arts Centre
Review
By Sheenagh Pietrobruno
Navigating the Voyage
Lucie Grégoire’s Territoires
Review
By Philip Szporer
Turn Me Inside Out
Rock Bottom Movement’s fantasylover brandishes a feminist awareness with a self-aware wink
Review
By Jillian Groening
The Roots and Realities of Colourism
Esie Mensah’s Shades: What is Colour?
Review
By Collette Murray
Watching is Not Seeing
Rebecca Margolick and Andrea Peña & Artists
Review
By Lucy Fandel
Inner Worlds and Outer Lives
Janelle Hacault and Jane Mappin at Festival Quartiers Danses
Review
By Lucy Fandel
Our Inevitable Fall
Alix Dufresne and Marc Béland’s Chutes: Descendre du ciel
Review
By Lucy Fandel
A Process of Fulfillment
Benchmarq presents Darshan
Review
By Brannavy Jeyasundaram
Make It Rain
Eroca Nicols is the truthteller
Review
By Emma Doran
Yes Manifesto (2018)
Linnea Swan interprets modern dance history, makes us laugh, makes us cry and makes us laugh-cry
Review
By Emma Doran
Sensational but Stuck
Breakaway Entertainment’s Anatomy of a Dancer at the Toronto Fringe Festival
Review
By Grace Elliott
The Why and How
In Threes and The Fall at the Toronto Fringe Festival
Review
By Molly Johnson
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