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Reviews
When Representation (Almost) Becomes the Norm
Contemporaneity 2.0 at Progress Festival
Review
By Molly Johnson
What I Saw and How I Felt
Aria Evans and Lilia Leon's Prevailing Voices
Review
By Grace Elliott
Discovering That “Little Girl”
Claudia Chan Tak’s Bienvenue chez moi, petite Malgache-Chinoise
Review
By James Oscar
Shadows, Portraiture, Mime and Velvet
Four works old and new at 3,2,1 Dance!
Review
By Lori Straus
Bgirls, Body Image and Being “Bossed Up”
that “F” word by SaMel Tanz
Review
By Aparita Bhandari
New Year, New Awakening
Soulful Messiah’s fifteenth year
Review
By Collette Murray
Hauntings and Bleeding Hearts
Reflections on Kayoi Komachi/Komachi Visited and a crash course in Noh theatre
Review
By Heidi Specht
Provocative Impressions
Skeels Danse’s Rose of Jericho
Review
By Philip Szporer
Risqué Ballet, Risking Clarity
Alberta Ballet’s Dangerous Liaisons
Review
By Fawnda Mithrush
On Double-Touch and Performing Objects
Deanna Peters’ META
Review
By Rachel Silver Maddock
A Cosmic Kind of Minimalism
Dreamwalker Dance Company’s Dual Light and a call to criticality
Review
By Molly Johnson
How Can We Be Fine?
Festival Quartiers Danses’ quadruple bill
Review
By James Oscar
One Waltz, One Requiem
Belinda McGuire performs two new works
Review
By Colleen Snell
The Embodied Remnants of Relationships Past and Present
Saudade by Joshua Beamish and MOVETHECOMPANY
Review
By Brittany Duggan
Sizing Up a Double Dose of Summer Dance
Skeels Danse and Tentacle Tribe in Saint-Sauveur
Review
By Philip Szporer
Funhouse Benediction
Tanja Faylene Woloshen’s Holy Wild
Review
By Holly Harris
Pasties and Politics
The Toronto Burlesque Festival opens with a Red Carpet Reveal
Review
By Grace Elliott
A New Spin on an Old Classic
Punyah Krishna and other works by Parshwanath Upadhye
Review
By Aparita Bhandari
Carrying a Collective Burden
Michael Greyeyes and Yvette Nolan’s Bearing
Review
By Emma Doran
When a Painting Breathes
Marie Chouinard’s The Garden of Earthly Delights
Review
By Sheenagh Pietrobruno
The Shape-Shifting Serpent
Aanmitaagzi draws from an historic Anishinaabe story to narrate contemporary issues
Review
By Molly Johnson
Impressions from Montréal’s Festival TransAmériques – Part II
Review
By Mark Mann
Impressions from Montréal’s Festival TransAmériques – Part I
Three works from Frédérick Gravel, Manuel Roque and Eszter Salamon
Review
By Philip Szporer
Dancers in Denim
Mile Zero Dance explores Edmonton’s historic Great Western Garment Company
Review
By Fawnda Mithrush
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