The Dance Current

Reviews

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When Representation (Almost) Becomes the Norm

Contemporaneity 2.0 at Progress Festival

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Aria Evans Prevailing Voices

What I Saw and How I Felt

Aria Evans and Lilia Leon's Prevailing Voices

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Discovering That “Little Girl”

Claudia Chan Tak’s Bienvenue chez moi, petite Malgache-Chinoise

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Shadows, Portraiture, Mime and Velvet

Four works old and new at 3,2,1 Dance!

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Bgirls, Body Image and Being “Bossed Up”

that “F” word by SaMel Tanz

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New Year, New Awakening

Soulful Messiah’s fifteenth year

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Hauntings and Bleeding Hearts

Reflections on Kayoi Komachi/Komachi Visited and a crash course in Noh theatre

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Provocative Impressions

Skeels Danse’s Rose of Jericho

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Risqué Ballet, Risking Clarity

Alberta Ballet’s Dangerous Liaisons

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On Double-Touch and Performing Objects

Deanna Peters’ META

Review
For Dual Light L-R Kristy Kennedy, Brendan Wyatt, photo Jeremy Mimnagh-SM

A Cosmic Kind of Minimalism

Dreamwalker Dance Company’s Dual Light and a call to criticality

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How Can We Be Fine?

Festival Quartiers Danses’ quadruple bill

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One Waltz, One Requiem

Belinda McGuire performs two new works

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The Embodied Remnants of Relationships Past and Present

Saudade by Joshua Beamish and MOVETHECOMPANY

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Alisia Pobega and Brett Andrew Taylor in Andrew Skeels's Rose of Jericho : Photo by Damian Siquieros

Sizing Up a Double Dose of Summer Dance

Skeels Danse and Tentacle Tribe in Saint-Sauveur

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Funhouse Benediction

Tanja Faylene Woloshen’s Holy Wild

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Bella Canto : Photo courtesy of Toronto Burlesque Festival

Pasties and Politics

The Toronto Burlesque Festival opens with a Red Carpet Reveal

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A New Spin on an Old Classic

Punyah Krishna and other works by Parshwanath Upadhye

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Carrying a Collective Burden

Michael Greyeyes and Yvette Nolan’s Bearing

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When a Painting Breathes

Marie Chouinard’s The Garden of Earthly Delights

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The Shape-Shifting Serpent

Aanmitaagzi draws from an historic Anishinaabe story to narrate contemporary issues

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Impressions from Montréal’s Festival TransAmériques – Part II

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Impressions from Montréal’s Festival TransAmériques – Part I

Three works from Frédérick Gravel, Manuel Roque and Eszter Salamon

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Dancers in Denim

Mile Zero Dance explores Edmonton’s historic Great Western Garment Company

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