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On Collapsing Pain Into Prayer

Sampradaya Dance Creations’ MANDALA

Review
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The Courage to Be Kind

One Kind Favor by George Stamos

Review
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The Inner Lives of Clowns

Kemi Projects explores performance and desire in new work Known

Review
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When Bygones Won’t Let Go

The newest work from Out Innerspace Dance Theatre

Review
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Dystopian Impressions

Marie Béland’s Beside

Review
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Expanding Their Reach

All Bodies Dance Project investigates sightless dance

Review
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On the Steps of the Escalators

An after-hours performance with jes sachse

Review
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Devious Spine Chills

Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters

Review
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Humanity Adrift

Alan Lake Factori(e)’s Le cri des méduses

Review
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Repetition is a Form of Change

Andrea Peña’s Untitled I + III

Review
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In the Grip of a Crowd

Hanna Kiel’s Resonance

Review
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A Quizzical Assortment

Three choreographers remix Melanie Demers’ Cantique

Review
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Performing Radical Sincerity

Dana Michel’s CUTLASS SPRING

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A Glimmer of Hope

Rodney Diverlus and Syrus Ware’s burn, burned

Review
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Reclaiming Narrative for a Contemporary Audience

Josh Beamish’s @giselle

Review
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Defying the Familiar

dance: made in canada’s Mrozewski Series

Review
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Blending In, Blending Out

Syreeta Hector’s Black Ballerina

Review
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That Sweet Spot Between Gallery and Stage

Alexa Mardon and Erika Mitsuhashi’s Tender Engine

Review
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An Electric Bolt of Messy

Helen Simard’s Requiem Pop

Review
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Gogol’s Glitch

Kidd Pivot’s Revisor

Review
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Skin, Pain, Plastic and Paper

Kelly McInnes’s SHINY at the Vancouver International Dance Festival

Review
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Alien Rituals

10 Gates Dancing’s TRUST at the Vancouver International Dance Festival

Review
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Renaissance, Ritual and Passion

Toronto Dance Theatre’s Persefony Songs

Review
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Lonely Elegy

Akram Khan’s XENOS

Review