
Like a Positive Regression
Kathleen Rea’s class allowed the little kid inside me to play in a way that he never got to

Editor’s Letter: Amy Hull
The Dance Current's first guest editor writes about what you'll find in the Winter 2022 special issue

The Golden Gift
For Giving Tuesday, do you usually cut a cheque for your favourite charity? Here’s another way

Hyper-Local, Widely Impactful: Q & A with Heart of the City founders Savannah Walling and Terry Hunter

Heart of the City Festival: A Retrospective
Community-driven by the organizations and artists of Vancouver’s Downtown Eastside, this year’s festival explores “Stories We Need to Hear”

A Playful Life
Feeling anxious about going back to work? Try finger painting, face painting and jumping in puddles.

Travis Knights Wants His Own Table
In the midst of a social reckoning in Canada, tap dancer Travis Knights challenges audiences to ask themselves, “Who are we to each other?”

In the Political Theatre
Sarah Lochhead, former staff and board member of The Dance Current, on her campaign during the federal election and why we need artists in politics

Arts to Politics and Back Again
A Q & A with Nadine Medawar, the new executive director of the Regroupement québécois de la danse

Back to School
With great space comes great responsibility. Here are five strategies to avoid injury when returning to training

Where My Body Belongs
I was 12 years old the first time I was made to feel ashamed about my body in a dance setting

Burlesque Gone Digital
Does burlesque become digital sex work on OnlyFans? A conversation made more relevant since the platform just tried banning sexually explicit content

The Road Out
Since July 2019, a record number of people have left Toronto, Montreal and Vancouver. With COVID-19 driving out more, do major cities need to play a role in a successful dance career?
