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Ballet, Drag and Everything In Between

A Q & A with drag queen and ballet dancer Brooke Lynn Hytes

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The Dancers Are the Work

Dylan Crossman Talks with Selma Odom

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A Languid Blues Dancer

Q & A with Catherine Hayward

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Big Little Secrets: Part II

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On the Edge of Our Seats for the Retelling of a Classic Myth

The National Ballet of Canada’s Orpheus Alive

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Orpheus Redux

The National Ballet of Canada offers two interpretations of the myth of Orpheus

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Twisted Sisterhood

The National Ballet of Canada’s Giselle

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Ghosts of the Past

The National Ballet of Canada’s Giselle

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Following the Unknown

Q & A with Sara Coffin

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Born Flexible

Managing hypermobility

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Voting 101

Everything you need to know about voting this October

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Where Dance Meets Opera

Q & A with Tyler Gledhill

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Hands On

Q & A with Marites Carino

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Brought to Life

Q & A with Jean Grand-Maître

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Insatiable and Inspired

Decidedly Jazz Danceworks’ Better Get Hit in Your Soul illustrates the tumultuous history of Charles Mingus

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Male Anger and Female Passion

Physicalizing and Reinterpreting the Historical Contexts of Jazz in Kimberly Cooper’s Better Get Hit in Your Soul

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Holding Each Other Up

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Dancers and Doctors

Communicating with health-care professionals

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Slicing Through Identities

Q & A with Dana Michel

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Redefining Recital

Arts Umbrella’s season finale

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Closing Act

Q & A with Xiao Nan Yu

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Living Wages for Dance Artists

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Heading South

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Nurturing Impulse

Q & A with Jennifer Mascall

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