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Ghosts of the Past

The National Ballet of Canada’s Giselle

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Following the Unknown

Q & A with Sara Coffin

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Born Flexible

Managing hypermobility

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Voting 101

Everything you need to know about voting this October

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Ted Belton

Where Dance Meets Opera

Q & A with Tyler Gledhill

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Hands On

Q & A with Marites Carino

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Brought to Life

Q & A with Jean Grand-Maître

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Insatiable and Inspired

Decidedly Jazz Danceworks’ Better Get Hit in Your Soul illustrates the tumultuous history of Charles Mingus

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Male Anger and Female Passion

Physicalizing and Reinterpreting the Historical Contexts of Jazz in Kimberly Cooper’s Better Get Hit in Your Soul

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Holding Each Other Up

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Dancers and Doctors

Communicating with health-care professionals

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Photo by Florian Sumi

Slicing Through Identities

Q & A with Dana Michel

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Redefining Recital

Arts Umbrella’s season finale

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Closing Act

Q & A with Xiao Nan Yu

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Living Wages for Dance Artists

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Heading South

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Nurturing Impulse

Q & A with Jennifer Mascall

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Rallying Cry

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The Dance Current

Message for International Dance Day From Louise Lecavalier

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Vivek Patel (2)

Contact and Consent

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All Things West

Andrea Spaziani’s The Right Eye of Clint

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Competition Becomes Celebration

The Erik Bruhn Prize showcases the bright future of classical ballet

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Moving Beyond the Theory of Inclusion

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A Flash Into the Rabbit Hole

The National Ballet of Canada offers a romantic take on Carroll’s classic

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