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Reviews
Can Choreography Really Change Music?
Review
By Lori Straus
Strength in Unity
Review
By Kate Stashko
Love Hurts
Review
By Catherine Genest
Call of the Wild
Review
By Philip Szporer
The Leap: Bold Moments in Time
35th Annual Alberta Dance Festival
Review
By Marie France Forcier
Dance for All the People
Review
By Lucy Fandel
The Dance Deck Trois is Rich, Intimate and Authentic
Review
By Rachel Silver Maddock
Performing Performances
Review
By Kathleen Smith
Why Love What You Will Lose?
Review
By Don Rieder
The Range at ROMP!
From experimental solos to Le Jazz Hot
Review
By Robin J. Miller
Edge 2 and 3
Dancing on the Edge 2016
Review
By Rachel Silver Maddock
A Wild Way Home in Le Petit Prince
Choreography by Guillaume Côté
Review
By Mark Mann
Memory, Music and Dance
EDAM presents Induction
Review
By Rachel Silver Maddock
Haunted by the Real in Dana Michel’s Mercurial George
Festival TransAmériques 2016
Review
Philip Szporer
Mark Mann
Mille batailles
Festival TransAmériques 2016
Review
Mark Mann
Philip Szporer
Never Stop!
Festival TransAmériques 2016
Review
By Philip Szporer
The Black Piece by Ann Van den Broek
Festival TransAmériques 2016
Review
By Mark Mann
Existential Reflections
Review
By Philip Szporer
Renaissance Reimagined
Ballet Kelowna
Review
By Brittany Duggan
A Ferocious Dance Toward the Heart
Serge Bennathan and Les Productions Figlio
Review
By Naomi Brand
This Is Not a Review
Newton Moraes Dance Theatre
Review
By Lee Slinger
The Inertia of a Heavy Heart
DA Hoskins
Review
By Emma Doran
Blinded by Sound, Playing at Life
Bill Coleman and Gordon Monahan’s Dollhouse
Review
By Victoria Mohr-Blakeney
La Démarquise
Louise Bédard Danse
Review
By Mark Mann
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