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Performance Art
Manifesting Politics Into Drag
A Q & A with drag king and performance artist Heath V. Salazar
Article
Column
By Emily Latimer
Performing Radical Sincerity
Dana Michel’s CUTLASS SPRING
Review
By James Oscar
Make It Rain
Eroca Nicols is the truthteller
Review
By Emma Doran
Ming Hon
Article
Column
By Dance Current Staff
What We Talk About When We Talk About Death
A discussion of Andrew Henderson and Eroca Nichols’ Taking it to the Grave
Review
By Jillian Groening
Unlocking My Creative Potential
From Dance to Devising
Article
Column
By Charlotte Priest
When Love Was Pink
Review
By Mark Mann
The Chaotic Clutter of Consumerism
Review
By Zoe Quinn
An Expanding Discussion: Copyright and Heritage in Dance
News
By Lucy Fandel
SummerWorks Performance Festival Turns Twenty-Five and Formally Invites Dance Out
Interview with Amelia Ehrhardt – SummerWorks Dance Curator
Article
Feature
By Marie France Forcier
The Beginning of the End (and Why it Should Happen Again)
Review
By Sky Fairchild-Waller
Awarding Distinction, Innovation, Contribution and Commitment to Dance in Canada
Dance Awards in May and June
News
By Heather Stewart
Dance and Objecthood
Article
Feature
By Ben Portis
Kiss & Cry
A Charleroi Danses Production
Review
By Kate Morris
MAI-Prototype
What I Learned from Marina Abramović
Article
Column
By Jenny-Anne McCowan
Crossed-Wire Chorus
Ame Henderson / Public Recordings
Review
By Lucy M. May
In Museum
Marie Chouinard/Compagnie Marie Chouinard
Review
By Philip Szporer
L.A.’s MOCA gala sparks controversy
News
By Naomi Brand
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