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QC
Remembering Geneviève Salbaing
Co-founder of Les Ballets Jazz de Montréal
News
By Rachel Silver Maddock
Haunted by the Real in Dana Michel’s Mercurial George
Festival TransAmériques 2016
Review
Philip Szporer
Mark Mann
Mille batailles
Festival TransAmériques 2016
Review
Mark Mann
Philip Szporer
Never Stop!
Festival TransAmériques 2016
Review
By Philip Szporer
Dance at Montréal’s Festival Accès Asie during Asian Heritage Month
Article
Column
By Isabelle Gagnon
The Black Piece by Ann Van den Broek
Festival TransAmériques 2016
Review
By Mark Mann
Existential Reflections
Review
By Philip Szporer
Kiera Hill
Article
Column
By Dance Current Staff
Perspectives and Possibilities in Dance at University
Article
Column
By Isabelle Gagnon
La Démarquise
Louise Bédard Danse
Review
By Mark Mann
Avec Pas d’Coeur
Maï(g)wenn et les Orteils question intellectual disability and sexual intimacy as a human right
Review
By Lucy Fandel
Skating on the (B)rink
Article
Feature
By Philip Szporer
Van Grimde Corps Secrets
Symphonie 5.1
Review
By Philip Szporer
Regrets, I’ve had a Few
Review
By Philip Szporer
An Expanding Discussion: Copyright and Heritage in Dance
News
By Lucy Fandel
Wherefore Gender
Review
By Jordan Arseneault
Pluton
La 2e Porte à Gauche, Danse-Cité and Agora de la danse
Review
By Philip Szporer
The Need to Feel Special
The Principle of Pleasure
Review
By Jordan Arseneault
The Final Curtain
Édouard Lock bids adieu to La La La Human Steps after thirty-five years of innovation and intrigue
News
By Jillian Groening
Circus Stories Residency
News
By Kathleen Smith
A Meeting of Minds
Merce Cunningham archivist David Vaughan and Pepper Fajans at Montréal’s Fringe Festival
Article
Feature
By Philip Szporer
An FTA Round Up
Review
By Philip Szporer
A Moving Sound Amidst the Hedgerow: Choeur Maha at the Reford Gardens
Article
Column
By Philip Szporer
Different Control Measures
Review
By Mark Mann
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