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The Leap: Bold Moments in Time

35th Annual Alberta Dance Festival By Marie France Forcier The 35th Annual Alberta Dance Festival | The Leap: Bold Moments in Time

Strong Albertan ties was the common denominator for the ten choreographers selected by Dancers’ Studio West to present work as part of the Annual Alberta Dance Festival. Bold moments in time was the broad thematic glue binding their works into a couple of distinct programs.

 

Dance for All the People

By Lucy Fandel Quartiers Danses Festival

The fourteenth annual Festival Quartiers Danses strung together themes of accessibility, originality, history and joy in contemporary dance today.

 

The Dance Deck Trois is Rich, Intimate and Authentic

By Rachel Silver Maddock The Dance Deck Trois

Grassroots performance series pairs dancers’ personal explorations with live classical music in a garden setting.

 

Performing Performances

By Kathleen Smith SummerWorks Festival

Dance was front and centre at SummerWorks this year, building on some serious bonds forged during past editions of this annual contemporary performance festival in Toronto.

 

Why Love What You Will Lose?

By Don Rieder Lighted Rooms Company of Angels

Lighted Rooms is a hybrid performance that defies categorization. It is a series of poems, story monologues, dance, song and bawdy limericks, an hour-long string of pearls whose thread is the energy and commitment of an extraordinary group of performers.

 

The Range at ROMP!

From experimental solos to Le Jazz Hot By Robin J. Miller ROMP! Festival of Dance

Joshua Beamish opened the nineteenth annual ROMP! Festival of Dance, presented by Victoria’s Suddenly Dance Theatre, with a solo show called Lone Wolf.

 

Edge 2 and 3

Dancing on the Edge 2016 By Rachel Silver Maddock Dancing on the Edge Festival 2016

Kaleido by Tentacle Tribe for OURU Collective, Dialogue by Wen Wei Wang, the neck to fall by Ziyian Kwan and more in this series of capsule reviews.

 

A Wild Way Home in Le Petit Prince

Choreography by Guillaume Côté By Mark Mann Le Petit Prince

Le Petit Prince is both a perfect and a problematic choice. Perfect because the story is already furnished with all the necessary components for a conventional ballet, and problematic because Le Petit Prince is actually a dark and confusing book.

 

Memory, Music and Dance

EDAM presents Induction By Rachel Silver Maddock Induction

Induction presented three new works by local choreographers Amber Funk Barton, Anne Cooper, Tom Shroud and Peter Bingham. As the audience gathered at the warm, intimate EDAM space near the intersection of Main and Broadway, I noticed the casual coziness of the place, worn in by years of dancing and performance.

 

Haunted by the Real in Dana Michel's Mercurial George

Festival TransAmériques 2016 By Philip Szporer, Mark Mann Mercurial George

Philip Szporer and Mark Mann review Dana Michel’s Mercurial George in conversation.

 

Mille batailles

Festival TransAmériques 2016 By Mark Mann, Philip Szporer Milles batailles

“Dance is physical combat most of the time,” wrote Louise Lecavalier in the notes for Mille batailles, a ferocious new work by the legendary Montréal choreographer and dancer at Festival TransAmériques.

 

Never Stop!

Festival TransAmériques 2016 By Philip Szporer Judson Church is Ringing in Harlem (Made-to-Measure) Trajal Harrell

The premise for Judson Church is Ringing in Harlem (Made-to-Measure) centres around what might happen if the Judson Church postmodern artists (Yvonne Rainer, Trisha Brown and the lot) had gone uptown to Harlem to perform alongside the vogue ballroom performers. (His previous works saw the voguers going downtown.)

 

The Black Piece by Ann Van den Broek

Festival TransAmériques 2016 By Mark Mann

When the lights go down at the beginning of The Black Piece by Ann Van den Broek, they stay down. True to the title, the Dutch choreographer plunges both the audience and the performers into obscurity and leaves us there. The darkness isn’t perfect – exit signs and stair lighting reduce pitch-blackness to deep shadows – but it is enveloping, and surprisingly electric.

 

Existential Reflections

Nous (ne) sommes (pas) tous des danseurs by Katya Montaignac and Sophie Corriveau By Philip Szporer Nous (ne) somme (pas) tous des danseurs.

Katya Montaignac teams with Sophie Corriveau, artist-in-residence at the Agora de la danse, for a round table event. Artists involved included a veritable who’s who, mainly drawn from Montréal’s deep pool of dance talent.

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