logo
Canada’s Dance Magazine
  • PRINT
  • ONLINE
  • LIVE

The National Ballet of Canada

 
Emerging Arts Critics Programme

Cinderella

By Dina Ginzburg

A great performance requires more than exquisite technique, as National Ballet of Canada principal dancers Sonia Rodriguez and Guillaume Côté continue to prove.

 
Emerging Arts Critics Programme

Cinderella in the Jazz Age

By Victoria Ellingham

The National Ballet of Canada’s Cinderella is certainly not aiming to be flowery. The moment the lights engulf the stage on opening night, November 12, it is obvious this will not be another baroque production.

 
Emerging Arts Critics Programme

A Medley of Magic and Madness

By Marissa Trarback

Before a single dancer appears on stage opening night at The National Ballet of Canada’s production of Giselle, a medley of magic and madness already fills the air.

 
Emerging Arts Critics Programme

Sin and Un-Earned Redemption

By Aziza Mohammed

An innocent peasant girl, a prince in disguise, and an undead queen. Saccharine leitmotifs and the most enthusiastic use of triangle in any orchestral work. Giselle has it all.

 
Emerging Arts Critics Programme

Giselle’s Restless Spirit

By Emily Trace

Traditionally described as ‘the ballerina’s Hamlet’, this production of Giselle by The National Ballet of Canada soundly debunks the adage.

 

A Wild Way Home in Le Petit Prince

Choreography by Guillaume Côté By Mark Mann Le Petit Prince

Le Petit Prince is both a perfect and a problematic choice. Perfect because the story is already furnished with all the necessary components for a conventional ballet, and problematic because Le Petit Prince is actually a dark and confusing book.

 
The National Ballet of Canada

Onegin

Performance | Spectacle

Ottawa ON
January 19-21 janvier 2017
8:00 | 20:00
Ballet

 
Emerging Arts Critics Programme

Le Petit Prince

By Grace Wells-Smith

Full of flash and innovation, Le Petit Prince is a step in a different direction for The National Ballet of Canada.

 
Emerging Arts Critics Programme

Le Petit Prince

By Michael Morreale

The National Ballet of Canada’s world premiere of Le Petit Prince had all the makings of a royal feast, but the balance was off.

 
Emerging Arts Critics Programme

Nothing Petit About It

By Liz Ostil

Noticeable excitement hums within the walls of the Four Seasons Centre on opening night as audience members settle into their seats before a giant, projected paper scrawled with the name of Antoine de Saint-Exupéry’s tiniest hero.

Go to page:

LISTINGS THIS WEEK