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Reviews
Fortunate Misgivings
Quantum Fur, curated by Geranium
Review
By Xdzunúm Danae Trejo-Boles
No Holds Barred
Gearshifting Performance Works’ Phase Wash
Review
By Holly Harris
Bodily Reflections
Sasha Ivanochko’s new works
Review
By Robert Kingsbury
Songs for a Nervous System
Jean-Sébastien Lourdais’ Bleu
Review
By Philip Szporer
A Night at the Juke Joint
The latest from Holla Jazz
Review
By Valeria Nunziato
Shadows Against a Sunset
pataSola dance’s Rift
Review
By Olivia C. Davies
Blurry Reverie, Retinal Rivalry
Dana Gingras’s anOther, in collaboration with Sonya Stefan and Group A
Review
By Philip Szporer
“Story-Being”
Nova Bhattacharya’s Decoding Bharatanatyam
Review
By Brannavy Jeyasundaram
When Representation (Almost) Becomes the Norm
Contemporaneity 2.0 at Progress Festival
Review
By Molly Johnson
What I Saw and How I Felt
Aria Evans and Lilia Leon's Prevailing Voices
Review
By Grace Elliott
Discovering That “Little Girl”
Claudia Chan Tak’s Bienvenue chez moi, petite Malgache-Chinoise
Review
By James Oscar
Shadows, Portraiture, Mime and Velvet
Four works old and new at 3,2,1 Dance!
Review
By Lori Straus
Bgirls, Body Image and Being “Bossed Up”
that “F” word by SaMel Tanz
Review
By Aparita Bhandari
New Year, New Awakening
Soulful Messiah’s fifteenth year
Review
By Collette Murray
Hauntings and Bleeding Hearts
Reflections on Kayoi Komachi/Komachi Visited and a crash course in Noh theatre
Review
By Heidi Specht
Provocative Impressions
Skeels Danse’s Rose of Jericho
Review
By Philip Szporer
Risqué Ballet, Risking Clarity
Alberta Ballet’s Dangerous Liaisons
Review
By Fawnda Mithrush
On Double-Touch and Performing Objects
Deanna Peters’ META
Review
By Rachel Silver Maddock
A Cosmic Kind of Minimalism
Dreamwalker Dance Company’s Dual Light and a call to criticality
Review
By Molly Johnson
How Can We Be Fine?
Festival Quartiers Danses’ quadruple bill
Review
By James Oscar
One Waltz, One Requiem
Belinda McGuire performs two new works
Review
By Colleen Snell
The Embodied Remnants of Relationships Past and Present
Saudade by Joshua Beamish and MOVETHECOMPANY
Review
By Brittany Duggan
Sizing Up a Double Dose of Summer Dance
Skeels Danse and Tentacle Tribe in Saint-Sauveur
Review
By Philip Szporer
Funhouse Benediction
Tanja Faylene Woloshen’s Holy Wild
Review
By Holly Harris
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