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Yes Manifesto (2018)
Linnea Swan interprets modern dance history, makes us laugh, makes us cry and makes us laugh-cry
Review
By Emma Doran
Sensational but Stuck
Breakaway Entertainment’s Anatomy of a Dancer at the Toronto Fringe Festival
Review
By Grace Elliott
The Why and How
In Threes and The Fall at the Toronto Fringe Festival
Review
By Molly Johnson
What Can You Do?
Article
Column
By Seika Boye
Thunderstruck: Physical Landscapes
A peek inside a new exhibit
Article
Photo Essay
By Dance Current Staff
Choose Your Own Adventure
Harbourfront’s Junior Festival
Article
Column
By Elise Tigges
Bodily Reflections
Sasha Ivanochko’s new works
Review
By Robert Kingsbury
From Dream to Abstraction
Article
Column
By Taylor Long
Season Closes with Compelling Voices
Article
Column
By Kallee Lins
Forward Momentum in Frame by Frame
Article
Column
By Josette Halpert
Frame by Frame Leaves Minds Reeling in Amazement
Article
Column
By Melissa Poon
A Night at the Juke Joint
The latest from Holla Jazz
Review
By Valeria Nunziato
Allison’s Celebration Cake
Article
Column
By Dance Current Staff
Something Between an Essay, a Pseudo-Story About Little Robo-Bugs and Another Excuse to Talk About Virtuosity
Article
Column
By Fabien Maltais-Bayda
Honouring Dance in Canada
Dance Collection Danse brings back the Encore! Dance Hall of Fame
News
By Emma Kerson
“Story-Being”
Nova Bhattacharya’s Decoding Bharatanatyam
Review
By Brannavy Jeyasundaram
When Representation (Almost) Becomes the Norm
Contemporaneity 2.0 at Progress Festival
Review
By Molly Johnson
What I Saw and How I Felt
Aria Evans and Lilia Leon's Prevailing Voices
Review
By Grace Elliott
Shadows, Portraiture, Mime and Velvet
Four works old and new at 3,2,1 Dance!
Review
By Lori Straus
Poetry in Motion
Reflections on BRODSKY / BARYSHNIKOV
Article
Column
By Nicole Hamilton
Bgirls, Body Image and Being “Bossed Up”
that “F” word by SaMel Tanz
Review
By Aparita Bhandari
Baryshnikov’s Ties to Canada
And an exclusive quote from the famed dancer
News
By Emma Doran
A Contemporary “Kitchen Party”
Article
Column
By Grace Elliott
New Year, New Awakening
Soulful Messiah’s fifteenth year
Review
By Collette Murray
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