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Performance
Harbingers of the Future
Dancers in the Bruhn Competition
Article
Column
By Sebastiano Bazzichetto
Promise for the Future
The Twelfth Erik Bruhn Prize
Article
Column
By David Rudin
Can Choreography Really Change Music?
Review
By Lori Straus
Cinderella
A Charming Return to the Stage
Article
Column
By Dina Ginzburg
Cinderella in the Jazz Age
Article
Column
By Victoria Ellingham
Strength in Unity
Review
By Kate Stashko
Love Hurts
Review
By Catherine Genest
Pursuing Pauses with Patience at Angikam Seminar
Kathak guru Nahid Siddiqui advises students to slow down while chasing the beat
Article
Feature
By Aparita Bhandari
Time on Tour
Five cities, thirty nights, fifteen shows – a whirlwind of adventure on tour
Article
Column
By Scott McCabe
Call of the Wild
Review
By Philip Szporer
Melissa Tuplin
Arts administrator and member of Dancing Monkey Laboratories
Article
Column
By Dance Current Staff
Dance for All the People
Review
By Lucy Fandel
Michael Caldwell
Article
Column
By Dance Current Staff
The Dance Deck Trois is Rich, Intimate and Authentic
Review
By Rachel Silver Maddock
Performing Performances
Review
By Kathleen Smith
Why Love What You Will Lose?
Review
By Don Rieder
Moving Beyond the Pas-de-Deux
Four Montréal-based dance artists discuss gender in contemporary dance
Article
Feature
By Helen Simard
Finding Rhythm, Finding Soul: Q & A with Alexandra Clancy
Article
Column
By Denise Solleza
The Range at ROMP!
From experimental solos to Le Jazz Hot
Review
By Robin J. Miller
Edge 2 and 3
Dancing on the Edge 2016
Review
By Rachel Silver Maddock
Alex’s Maple Quinoa
Article
Column
By Dance Current Staff
Dance at Toronto’s Luminato Festival 2016
Article
Column
By Miya Shaffer
Contact: This is an Experiment
Article
Column
By Emma Cullen
A Medley of Magic and Madness
Giselle
Article
Column
By Marissa Trarback
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