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Performance

Natasha Sheehan and Angelo Greco of San Francisco Ballet

Harbingers of the Future

Dancers in the Bruhn Competition

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Natasha Sheehan and Angelo Greco of San Francisco Ballet

Promise for the Future

The Twelfth Erik Bruhn Prize

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Can Choreography Really Change Music?

Review
Sonia Rodriguez in Cinderella

Cinderella

A Charming Return to the Stage

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Sonia Rodriguez in Cinderella

Cinderella in the Jazz Age

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Strength in Unity

Review
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Love Hurts

Review
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Pursuing Pauses with Patience at Angikam Seminar

Kathak guru Nahid Siddiqui advises students to slow down while chasing the beat

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Time on Tour

Five cities, thirty nights, fifteen shows – a whirlwind of adventure on tour

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POUR 03 © Daina Ashbee

Call of the Wild

Review
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Melissa Tuplin

Arts administrator and member of Dancing Monkey Laboratories

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Dance for All the People

Review
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Michael Caldwell

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The Dance Deck Trois is Rich, Intimate and Authentic

Review
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Performing Performances

Review
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Why Love What You Will Lose?

Review
WEB Simon Portugal and Lael Stellick in Chorus II by Sasha Kleinplatz : Photo by Veronique Mackenzie

Moving Beyond the Pas-de-Deux

Four Montréal-based dance artists discuss gender in contemporary dance

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Finding Rhythm, Finding Soul: Q & A with Alexandra Clancy

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The Range at ROMP!

From experimental solos to Le Jazz Hot

Review
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Dancing on the Edge 2016

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Alex’s Maple Quinoa

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Dance at Toronto’s Luminato Festival 2016

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Contact: This is an Experiment

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Svetlana Lunkina and Harrison James in Giselle

A Medley of Magic and Madness

Giselle

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