The Dance Current
Skip to main content
News
Reviews
Listings
Articles
View All
Column
Feature
Photo Essay
About Us
About Us
Our Team
Submissions
Advertise With Us
Contact Us
Support Us
Past Issues
Subscribe
Toggle Menu
Tagged As
Contemporary
Remembering Anna Wyman
A former student writes about the beloved dance teacher, choreographer and artistic director
Article
Column
By Emma FitzGerald
Out of Studio III
Article
Photo Essay
By Mika Manning
Out of Studio I
Marlowe Porter shares what dance looks like for her during a global pandemic
Article
Photo Essay
By Marlowe Porter
The Privilege of the Pastoral
Grove raises crucial questions during a period of global outcry
Review
By Erin Baldwin
Extricating Liveness During COVID-19
Thea Patterson’s Silvering in Confinement
Review
By Philip Szporer
Remembering Dan Wild
Dan Wild graced dance stages for over thirty years
Article
Column
By Dance Current Staff
A Glitch in Paradise
Zata Omm’s Eden Planted
Review
By Dylan Schoenmakers
Dance Interventions
Talking with two teachers who work with Parkinson’s patients
Article
Feature
By Tessa Perkins Deneault
Welcome to Our World
Article
Column
By Patricia Allison
Reimagining The Possibilities
News
By Grace Wells-Smith
The Courage to Be Kind
One Kind Favor by George Stamos
Review
By Helen Simard
The Inner Lives of Clowns
Kemi Projects explores performance and desire in new work Known
Review
By Erin Baldwin
When Bygones Won’t Let Go
The newest work from Out Innerspace Dance Theatre
Review
By Kate Morris
Dystopian Impressions
Marie Béland’s Beside
Review
By Philip Szporer
Expanding Their Reach
All Bodies Dance Project investigates sightless dance
Review
By Rachel Silver Maddock
On the Steps of the Escalators
An after-hours performance with jes sachse
Review
By Tak Pham
Santee Smith Wins Inaugural Johanna Metcalf Performing Arts Prize
News
By Grace Wells-Smith
Devious Spine Chills
Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters
Review
By Xdzunúm Danae Trejo-Boles
Humanity Adrift
Alan Lake Factori(e)’s Le cri des méduses
Review
By Dylan Schoenmakers
Repetition is a Form of Change
Andrea Peña’s Untitled I + III
Review
By Helen Simard
In the Grip of a Crowd
Hanna Kiel’s Resonance
Review
By Erin Baldwin
Following the Unknown
Q & A with Sara Coffin
Article
Column
By Michael Lake
A Quizzical Assortment
Three choreographers remix Melanie Demers’ Cantique
Review
By Philip Szporer
Performing Radical Sincerity
Dana Michel’s CUTLASS SPRING
Review
By James Oscar
Load more Reviews
Loading...
That's it. The end of the content.
That's it. The end of the content.
1
2
3
4