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On the Ground

On the Ground

A Welcoming

The Dance Current spoke with Wunmi Idowu in anticipation of UNGANISHA – an inaugural Calgary festival brought to life by Woezo Africa Music & Dance Theatre and Creoternity Theatre. The festival is a dance theatre showcase celebrating the history and influence of African culture and contemporary dance.

Jason Martin in Falling by Martin and Janelle Hacault / Photo by Leif Norman
On the Ground

Precious Pixels

By Grace Smith

The why and how of photography for dancers

On the Ground

Aiming for Abstraction

By Xdzunúm Trejo

Paul-André Fortier’s latest work Trois closed the autumn season of Agora de la danse (November 22 through 25) and was also performed at the Germain Hotel Montréal’s Fou d’ici supermarket and a cafeteria in Google Montréal. Fortier and performers Mark Medrano and Naishi Wang spoke with The Dance Current about their experience of taking dance hors les murs, outside of the theatre context.

On the Ground

The Physicality of Circus

By Megha Chatterjee

The Dance Current was invited behind the scenes of Cirque du Soleil’s VOLTA, to learn about the physical requirement of the work.

On the Ground

Movement in Time

By Nicole Hamilton

How is Canada representing artists of the African diaspora? Special guest and Turn Out Radio host Nicole Hamilton interviews Vivine Scarlett and Kevin Ormsby about this issue and the performances in Movement in Time, which took place on October 14 at Toronto’s Harbourfront Centre Theatre.

On the Ground

Embodying Our Alliances

By Vanessa Zeoli

This September, Harbourfront Centre rolled out the 2017/18 season of NextSteps: Canada’s Contemporary Dance Series that features companies and artists from across the country. The sixth season premiered with The Apology Project, an inter-arts work produced in association with Toronto’s pounds per square inch performance (lbs/sq”). The performances examines the bitter tensions between oppressor and oppressed, citing shame as the root cause of violence and suggesting embodied action, rather than language, as means to reconciliation.

On the Ground

Mass Movement

By Mark Mann

Mark Mann details his experience dancing in Sylvain Émard’s Le Super Méga Continental, a mass movement spectacle of 375 professional and amateur dancers. The work was performed from September 15 through 17, 2017, as part of Montréal’s Festival TransAmériques.

On the Ground

A New Company Member

By Grace Smith

The Dance Current asked Arlyssa McArthur about her path into the company and how she balances her busy dance career with other commitments.

On the Ground

What do You Want to Know about Dance?

By Sarah Lochhead, Anastasia Kolotova, Valeria Nunziato

On June 2, Canada’s National Ballet School’s (NBS) hosted Sharing Dance Day at Yonge-Dundas Square in Toronto. The annual event is NBS’s flagship community outreach initiative, which offers free dance programs to the public. Toronto was just one out of the five cities to host official Sharing Dance events, with other cities including Halifax, Montreal, Winnipeg and Calgary. As part of the event The Dance Current asked attendees to tell us about a dance-related topic or artist they’re interested in learning more about.

On the Ground

Breathing Fresh Air

By Samyuktha Punthambekar

Samyuktha Punthambekar, an Indian classical dancer for over twenty years, interviews Ilter Ibrahimof, artistic director of Fall for Dance North, in anticipation of the festival in October.

Peter Kelly / Photo by Shakeil Rollock
On the Ground

Dancing with Emotion: Q & A with Peter Kelly

By Elise Tigges

Only two years out of the dance program at George Brown College (GBC) in Toronto, Peter Kelly has already found a growing place for himself in the Toronto dance community.

On the Ground

On Cultural Voyeurism and Indigenous Creation

By Alicia Elliott

Tuscarora writer Alicia Elliott spent a day at the Living Ritual Festival and notices that issues for Indigenous creators are similar across disciplines. “We want to stop focusing on educating non-Indigenous people with our work, too, and instead focus our energy on creating art that’s meaningful to our own people.”

Tracey Norman with daughter Pearl and students of York University / Photo by Raphael Roter
On the Ground

Dancing into Parenthood

By Grace Smith

Childcare information and ideas for dance artists

Nicole Ward / Photo by Michael Slobodian
On the Ground

Stepping into the Company: Q & A with Nicole Ward

By Emma Kerson

In 2016, Bolivian native Nicole Ward was presented with Ballet BC’s Outstanding Young Dancer Award, recognizing her work as an apprentice and aimed at helping her as she transitioned to a full company member in the 2016/17 season

On the Ground

Rainy Days

By Lee Slinger

Saving money and thinking about retirement for dance artists

On the Ground

Red Lion: Q & A with Irish dancer Michaela Hinds

By Emma Kerson

Six-time World Champion Michaela Hinds discusses her long and full career as a competitive Irish dancer.

On the Ground

North through South

By Brittany Duggan

Filmmaker Nettie Wild invites different artistic disciplines to interpret key characters from her latest documentary, KONELĪNE:our land beautiful.

On the Ground

Time on Tour

By Scott McCabe

Compagnie Marie Chouinard dancer Scott McCabe takes us on tour with him, from packing to airports, through amazing as well underwhelming experiences.

On the Ground

Finding Rhythm, Finding Soul: Q & A with Alexandra Clancy

By Denise Solleza

Vancouver tap dancer Alexandra Clancy explores the intersections of the contemporary and the traditional.

On the Ground

Research and Development

By Sasha Ivanochko, Lee Slinger

Catching up with Sasha Ivanochko

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