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Browse our back issue gallery and get current! Just add an issue to your cart. Complete your order and mail the printable form with a cheque or money order in Canadian funds to the address noted.

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Volume 11, Issue 1: May 2008
  • 100 issues: 10 years & over 1 million words
  • the bohemian index: art, culture & the economy
  • Bravo! Encore?: Danny Grossman's vanishing act
  • Intergenerational ethics | éthiques intergénérationnelles: is the mentorship a solution? | le mentorat comme solution?
  • on the cover: Danny Grossman in his own work "Higher" (1975)/Photo by Deborah Samuel, courtesy of the Danny Grossman Dance Company archival collection

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  • Volume 10, Issue 9: April 2008
  • Considering classicism: bharatanatyam & ballet
  • Reality check: tuning in to dance on TV
  • Peter Eastwood: dance photographer | photographe de danse
  • Rubberbandance Group: between ballet and breaking
  • On the cover: Katharine Garrett, Shruti Javali and Cristina Tucciarone in "B2" by Mavin in a co-creation between Sampradaya Dance Creations and Ballet Jörgen Canada/Photo by Manpreet Sokhi

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  • Volume 10, Issue 8: March 2008
  • Benoît Lachambre: mining somatic consciousness
  • 6 degrees of separation?: the ausdruckstanz connection
  • Wilkommen | Bienvenue | Welcome: Canadian dancers in Germany | Interprètes canadiens en Allemagne
  • on the cover: Meg Stuart of Damaged Goods and Benoît Lachambre in their work "FORGERIES, LOVE AND OTHER MATTERS"/Photo by Chris Van der Burgh

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  • Volume 10, Issue 7: February 2008
  • D.A. Hoskins: an uncompromising attitude
  • Andrew Oxenham: dance photographer | photographe de danse
  • Performance Psychology: Strategies for optimal performance
  • Pilates:not fit but well
  • on the cover:Danielle Baskerville in "HARD CANDY" by D.A. Hoskins/The Dietrich Group / Photo by David Hou

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  • Volume 10, Issue 6: December/January 2007/2008
  • Special Issue: the ART of participation
  • Community dance practice: a conversation
  • Creating temporary communities: The Manitoba Project
  • Kathy Casey: Incubating creativity
  • dance at The Banff Centre
  • Chanti Wadge makes waves
  • David Adams (1928-2007)
  • Know your Nutcracker
  • on the cover:Kelley McKinlay and Leigh Allardyce in "Configurations of the Body" (2004) by D.A. Hoskins /Photo By Don Lee, courtesy of The Banff Centre

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  • Volume 10, Issue 5: November 2007
  • Wen Wei Dance: Unbound: unravelling meaning
  • Sharon Moore: dance, theatre, film & circus
  • Rolline Laporte: photographe de danse | dance photographer
  • Galvanizing community | communauté galvanisée: advocacy through concentric conversations | représentation par conversations concentriques
  • Flamenco Rosario's Professional Training Program
  • Les 7 doigts de la mains
  • Claudia Moore's worst on-stage moment

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  • Volume 10, Issue 4: October 2007
  • Roberto Campanella: for the art of dance
  • Global Tributaries: Margie Gillis creates for Hari Krishnan
  • Jeremy Mimnagh: dance photographer | photographe de danse
  • Unleashed in place: mobile clubbing in Vancouver
  • Expert advice on DIY publicity
  • Noam Gagnon’s worst on-stage moment
  • La Danse sur les routes du Québec

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  • Volume 10, Issue 3: September 2007
  • Presenters and Artists: Support and Power | Diffuseurs et artistes : soutien et pouvoir
  • Tara Cheyenne Friedenberg: a "Fetish" for Comedy
  • John Lauener:dance photographer | photographe de danse
  • Fondation Jean-Pierre Perreault: vie d'un patrimoine choréographique | the life of choreographic heritage
  • Funding Increase to Canada Council
  • Expert Advice on booking and touring
  • Clarence Ford of Cirque du Solei

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  • Volume 10, Issue 2: Summer 2007
    Summer Annual | édition estivale Discussing Dance | discuter de danse
  • Louise Lecavalier
  • Alberta Ballet
  • Pamela Newell
  • Marie-Josée Chartier
  • Gaétan Gingras
  • Ame Henderson
  • Decidedly Jazz Danceworks
  • Mozaico Flamenco

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  • Volume 10, Issue 1: May 2007
  • Focus on Summer Training: reflections and perspectives
  • Anik Bissonnette: Les Grands, motherhood & the future | Les Grands, la maternité et l'avenir
  • David Hou: dance photographer | photographe de danse
  • Deborah Dunn: staging absurd theatricality
  • 60 years of Banff Summer Dance
  • FIFA showcases dance films
  • Expert Advice on: running a summer dance program

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  • Volume 9, Issue 9: April 2007
  • SPEACIAL FEATURE: Dramaturgy, by any other name
  • The Choreographer's Consort: 3 Frameworks
  • Inside Eye on the Outside Eye: talking about rehearsal direction
  • Ginelle Chagnon: Rendering the Dance
  • Ruth Cansfield's living sculptures
  • Robert Etcheverry: photographe de danse | dance photography
  • Celia Franca: 1921-2007
  • Circuit-Est: renews Espace choréographique Jean-Pierre Perrault
  • Gabby Kamino: investing in the next generation

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  • Volume 9, Issue 8: March /2007
  • Susie Burpee: finding space to dream
  • David Cooper: dance photographer | photograph de la danse
  • succession planning: an eye to the future
  • dance and cultural policy: Canada Council celebrates 50 years
  • Studio 303: forced to scale back
  • The Legacy of Betty O: Computer-illustrated teaching manual
  • Expert Advice: On preparing to perform

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  • Volume 9, Issue 7: February /2007
  • Hugh Conacher: dance photographer | photograph de la danse
  • talking about butoh:authenticity, improvisation, memory
  • Circuit-Est centre chorégraphique: un petit centre devenu grand | a small centre grown big
  • Should you incorporate?:not-for-profit practicalities
  • Short Waves:Fernand Nault 1920-2006
  • Soojung Kwon: expanding on tradition
  • Ballet Kelowna: developing young artists

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  • Volume 9, Issue 6: December/January 2006/2007
  • Motus O: a collective commitment
  • Widening the Sphere: dance Immersion hosts the world
  • Organizational Health | La santé d'l'entreprise
  • Charles Aylett: dance photographer
  • Short Waves: new money at Canada Council
  • Ghislaine Doté: dancing her own identity
  • Leonard Gibson: marking time

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  • Volume 9, Issue 5: November 2006
  • William Lau: leaving resonant footsteps
  • Dancer's Studio West: on shifting ground
  • Paul André Fortier: urban ritual, dancing man
  • Cylla von Tiedemann: dance photographer
  • Farely Johansson: adapting to survive
  • Moving Pictures: farewell after 15 years
  • Expert Advice: on creating a useful playbill

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  • Volume 9, Issue 4: October 2006
  • Christopher House: an inquiring mind
  • dance & the media
  • Michael Slobodian: dance photographer
  • Jai Govinda: crossing boundaries
  • 10 masterworks: of Canadian dance
  • Expert Advice: on finding an agent
  • Emily Molnar: Investigating physical intelligence

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  • Volume 9, Issue 3: September 2006
  • Judith Marcuse's ICE, FIRE, EARTH and AIR
  • successful women succeeded by men?: Artistic Direction in Canadian Dance
  • Chris Randle: dance photographer
  • Who owns a dance?: copyright 101
  • Dance in Print: A new book about David Earle
  • Patricia Fraser: Facilitating artistry
  • Jolene Bailie: Growing up with her career

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  • Volume 9, Issue 2: Summer 2006
    Summer Annual | édition estivale Eclectic Moves | Jeux éclectiques
  • Benoît Lachambre
  • Stéphane Gladyszewski
  • Anne Troake & company
  • Tom Stroud
  • Sara Porter
  • Andrea Nann
  • Valerie Calam
  • Louis Laberge-Côté
  • Lin Snelling & company
  • Marie Chouinard
  • Peter Bingham & Wen Wei Wang
  • Yvonne Ng
  • Isabelle Van Grimde
  • Crystal Pite

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  • Volume 9, Issue 1: May 2006
  • Deconstructing Reconstructing: Simone orlando's choreographic path
  • Lynda Gaudreau: ordre et chaos|order and chaos
  • Special Feature: Summer Study train & rest, work & play
  • William Yong: teen pop star turned dancer
  • It's our birthday!: 8 years in print
  • Grant Strate: World Dance Alliance-Global Assembly
  • Peggy Reddin: Dance on Prince Edward Island

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  • Volume 8, Issue 9: April 2006
  • Plain Faith: Desirée Dunbar
  • portrait in black & white: Stephanie Ballard
  • Dancing in the Street: Grasshoppa Dance Exchange
  • Nova Bhattacharya: choreographic entrepreneur
  • Arts and Culture: the right of every child
  • International Dance Day: April 29
  • Online Database: for Bibliothèque de la danse

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  • Volume 8, Issue 8: March 2006
  • dancing a cultural balance: Green tea collective
  • 7-year cycle: battery opera's [storm
  • Amanda Hancox: taking the lead at the DTRC
  • a choreographic workout: 60 hours in 5 days
  • Vantage Point/Vue d'ensemble: Conservatives dance around arts funding/Les conservateurs tournent autour du pot des arts
  • Expert Advice: on auditioning
  • What's in a name?: National Ballet School vs. École nationale de ballet contemporain

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  • Volume 8, Issue 7: February 2006
  • Choreography: the art and the craft
  • an intimate cyclone: Anne Cooper & Jennifer Clarke
  • Turn your Partner, Do-Si-Do: The Mt. Lorne Barn Dances
  • Coldeta McCarthy: Graduate of Ballet Creole's Training Program
  • Expert Advice: for pointe shoe wearers
  • The Royal Winnipeg Ballet's Dracula

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  • Volume 8, Issue 6: December/January 2005/2006 (currently unavailable)
    Special Issue
  • before the movement fades:a dance preservation imperative
  • Breathing Dance: Young Lungs in Winnipeg
  • Laurence Lemieux: embodied repertoire|Donner corps au répertoire
  • Creating a Living Archive: Fonds Choréographique Fernand Nault
  • New! In the wings student snapshot
  • Debbie Wilson and OMO at united Nations celebration

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  • Volume 8, Issue 5: November 2005 (currently unavailable)
  • The Evolution of Self: Wen Wei Wang
  • Pre-professional Training Programs: 22 pre-professional training programs
  • Bobby Todd: A new leader in Calgary
  • Together in Time: Dance and music part 3
  • Activism in Motion: Dance and human rights
  • Dancemakers in transition
  • BC dancer wins at Genée

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  • Volume 8, Issue 4: October 2005
  • Moving Youth: TILT sound+motion
  • Post-secondary: 7 University and College Programs
  • Men in Dance: Why so Few?
  • Finding Common Ground: dance and music part 2
  • Lillian Jarvis: From Ballet to Biosomatics
  • Vantage Point/Vue d'ensemble: artist/e activist/e
  • Government Reports on Dance Presentation in Canada

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  • Volume 8, Issue 3: September 2005
  • Karen Kain & the National Ballet: an extraordinary pas de deux
  • Dance Scores in a Hockey Town: Moncton's Harriet Gratian
  • It's About Time: dance and music
  • Historical Collection Reveals: clues to the dancing past
  • Plans Underway for New: Montéal festival
  • Dance in Québec City: la danse à Québec

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  • Volume 8, Issue 2: Summer 2005
    Summer Annual | édition estivale Voices of Women | Voix de femmes
  • Crystal Pite
  • Karen Kuzak
  • Susan Elliott
  • Eryn Dace Trudell
  • Nicole Mion
  • Zab Maboungou
  • Susie Burpee
  • Lesandra Dodson
  • Ginette Laurin
  • Sasha Ivanochko
  • Audrey Lehouillier
  • Anik Bouvrette
  • Chick Snipper
  • Andrea Nann
  • Lydia Wagerer
  • Sarah Chase

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  • Volume 8, Issue 1: May 2005
  • Freedom & trust: James Kudelka's "An Italian Straw Hat"
  • Illuminating Movement: dance and lighting design
  • A Fluid Connection: Linda Rabin and Continuum
  • It's Delicate Work: dance management in Canada
  • she said, he said and we said: a trialogue with choreographer Alvin Tolentino

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  • Volume 7, Issue 9: April 2005
  • Gwen Noah: East Coast solo dancer
  • Inside her Mind: choreographer Melissa Monteros
  • Written in the Sand: dance legacy and preservation
  • SPECIAL FEATURE Summer Moves: Canadian summer dance programs

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  • Volume 7, Issue 8: March 2005
  • fiercely physical dance: The Holy Body Tattoo
  • Doors Closed: what happened?: Fondation Jean-Pierre Perreault
  • Family Dynamics: Allen Kaeja's "Asylum of Spoons"
  • Once More With Feeling: reasons to remount

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  • Volume 7, Issue 7: February 2005
  • Peggy Baker: The Choreographer's Trust
  • Louise Lecavalier: a new entrance
  • Stranded on Tour: "JOE" dancers tell their story
  • Nurturing Creative Potential: artistic mentorship

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  • Volume 7, Issue 6: December/January 2004/05
  • Tara Butler: magic and reality
  • Suzanne Miller & Allan Paivio: the essence of speed
  • Perspectives on Education: discussing dance
  • Somatic Practices: Part 4: conditioning with imagery
  • A Delicate Balance: presenting dance in Canada

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  • Volume 7, Issue 5: November 2004
  • Catalyzing Dance: Peter Boneham celebrates 70 years
  • "Les Portes tournantes": an Acadian ballet
  • Perspectives on Education: teacher/artist partnerships
  • Somatic Practices: Part 3: Bartenieff Fundamentals

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  • Volume 7, Issue 4: October 2004
  • sparkplug company: bjm_danse
  • The Echo Case: watching and performing improvisation
  • Perspectives on Education: curriculum versus reality
  • Somatic Practices: Part 2: Craniosacral Therapy

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  • Volume 7, Issue 3: September 2004
  • Including Every Body: mixed-ability dance in Canada
  • past to present: hip hop dance in Montréal
  • Non-western dance: in public schools
  • Somatic Practices: Part 1: The Feldenkrais Method

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  • Volume 7, Issue 2: Summer 2004
  • Summer Annual | édition estivale: selections from 2003/04 | sélection de 2003/04
  • Montréal, Regina &/et Vancouver: Astonishing Festivals | Les festivales hors du commun
  • Alberta Ballet: Jean Grand-Maître's "Cinderella"
  • Paul-André Fortier: The Fleeting Ecstasy of Youth | L'extase évanescente de la jeunesse
  • Crystal Pite: Tap Dancing Swans and Other Signs of Intelligent Life

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  • Volume 7, Issue 1: May 2004
  • Special Featre: dance for youth
  • Instructional Strategies: for dance teachers
  • 32 is a crowd: Jean-Pierre Perrault's JOE
  • Nutrition Basics for Dancers: Part 4 of 4
  • Youth Commissions for Dance: Mrozewski's "Break Open Play"

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  • Volume 6, Issue 9: April 2004
  • Lynda Raino & Crystal Pite: west coast creation
  • Judith Garay: unwavering focus
  • Perspectives on Education: the reflective teacher
  • On Vocal Training for Dancers: dancing the voice part 2
  • Nutrition Basics for Dancers: Part 3 of 4

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  • Volume 6, Issue 8: March 2004
  • Devasigamani Gunaseelan: the unity in diversity
  • Rob Abubo: keeping it real
  • Perspectives on Education: Talking in class - it's a good thing
  • A Silent Art Form?: dancing the voice
  • Nutrition Basics for Dancers: Part 2 of 4

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  • Volume 6, Issue 7: February 2004
  • Winnipeg's Contemporary Dancers: celebrating 40 years
  • Daniel Léveillé: creator of Amour, acide et noix
  • Having Children: dancers share their stories
  • Nutrition Basics for Dancers: Part 1 of 4

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  • Volume 6, Issue 6: December/January 2003/04
  • Court of Miracles returns: a holiday favourite
  • Dances for a Small Stage: Toronto to Vancouver
  • Decidedly Jazz Danceworks: 20 years
  • Dance Education: building a curriculum

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  • Volume 6, Issue 5: November 2003
  • Zab Maboungou: artist and philosopher
  • Credit: who takes it?: defining the dancer's role
  • Davida Monk: desire for motion
  • Literacy starts early: with a balanced dance education

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  • Volume 6, Issue 4: October 2003
  • The Countdown: Mark Godden's The Magic Flute
  • Found: a new formula: Festival international de nouvelle danse 2003
  • University of Regina launches new program: A Certificate in Dance Teacher Education
  • Living with an injury: a personal story

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  • Volume 6, Issue 3: September 2003
  • The Starting Point: public school dance
  • El Viento Flamenco: a band with a dancer
  • Seasonal Change, Personal Rhythm: a cycle of doing and being
  • "The General": Maryanne Marsh, inner city dance teacher

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  • Volume 6, Issue 2: June 2003 Summer Annual
  • Peggy Baker: The "Home" Season | Baker bien chez elle
  • Tedd Robinson: Sleek Statements | Propos soignés
  • Ballet BC: Scheherazade
  • Édouard Lock & the bionic bodies of La La La Human Steps

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  • Volume 6, Issue 1: May 2003
  • Running on Passion: African-Canadian dance artists in Toronto
  • John Alleyne: collaborative creativity
  • Ryerson University's first BFA dance graduates
  • Robin Poitras: The Pelican Project

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  • Volume 5, Issue 10: April 2003
  • Cori Caulfield: a portrait
  • Embracing Responsibility: ethics & professionalism in dance
  • Constant Unknowing: improvisation as performance
  • Links to Tradition: West African drum & dance in Calgary

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  • Volume 5, Issue 9: March 2003
  • Enlivening the Land: Red Sky's "The Dancing Americas"
  • Yan Lam: exploring the potential of Chinese dance
  • Dance in Canada's Far East: Newfoundland's Kittiwake Dance Theatre
  • Passion or Passions: 4 dancers' parallel careers

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  • Volume 5, Issue 8: February 2003
  • Alberta Dance Explosions festival tills new soil
  • Remembering Jean-Pierre Perreault & Iris Garland
  • The Body: Shifting Cultural Perspectives
  • Dance into Action 2003: 4 ways to secure the future

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  • Volume 5, Issue 7: Dec 2002/Jan 2003
  • Tara Birtwhistle of the Royal Winnipeg Ballet
  • Mythology of a Man: Danny Grossman celebrates 60
  • Experimenting on the Periphery: Vancouver's Jennifer Mascall
  • Graphing the Vanishing Dance: Laban Movement Analysis

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  • Volume 5, Issue 6: November 2002
  • Jessica Runge: a mind in motion
  • More on Training: a personal perspective
  • An Instinct for Success: Michael Crabb's biography of Arnold Spohr
  • The Technical Rehearsal: tips for up-and-comers

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  • Volume 5, Issue 5: October 2002
  • Dancemakers' The Satie Project
  • Ginette Laurin's Luna
  • Remembering Robert Duplessis
  • Professional Training Part 2

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  • Volume 5, Issue 4: September 2002
  • Crystal Pite: back on Canadian Soil
  • Bricks & Mortar: new cultural spaces in Canada
  • Syvlie Desrosiers: at La Nouvelle Scène
  • Another Way of Knowing: dance in elementary schools

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  • Volume 5, Issue 3: July/August 2002
  • Sylvie Bouchard & David Danzon of Corpus and Dusk Dances
  • Technique Class: take it or leave it?
  • Dancing in Prague: a Canadian view
  • Aboriginal Dance: on stage in Banff

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  • Volume 5, Issue 2: June 2002
  • Brian Webb directs the Canada Dance Festival
  • Artists' Health Centre to launch in Fall 2002
  • Dancers plan for the financial future
  • Marie Chouinard's latest solo creations

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  • Volume 5, Issue 1: May 2002
  • James Kudelka's The Contract
  • Kathleen Rea: a dancer's story
  • Early days at York U: an excerpt from Grant Strate's memoir
  • Esperanza by Trish Beatty

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  • Volume 4, Issue 11: April 2002
  • Debbie Wilson: forthright & fearless
  • Composer Martin Arnold on modern dance
  • Complexity & Collaboration: Maxine Heppner's AtHOME festival
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  • Volume 4, Issue 10: March 2002
  • Menaka Thakkar: rooted in Canadian soil
  • Vicki St. Denys: speaking in jazz
  • Scribbling in the Dark: a dance writer explores process
  • Motion in Stillness: the work of dance photographers

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  • Volume 4, Issue 9: February 2002
  • Dominique Dumais: ascending the choreographic ranks
  • Works-in-progress shows: some applaud, others wonder
  • Atlantic New Dance Festival: there is dance east of Montréal
  • Through a filmmaker's eyes: Laura Taler documents the Haman/Navas Project

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  • Volume 4, Issue 8: January 2002
  • Katherine Duncanson: impulse & intuition
  • Ross Manson's a hybrid of many voices
  • Dance Ontario's DanceWeekend: successfully showcasing dance
  • Musical chairs: arts managers on the move

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  • Volume 4, Issue 7: December 2001
  • Clea Iveson is a company womnan
  • The alchemy of Holly Small: in the making of Souls
  • Liturgical dance: women's voice in the Catholic Mass
  • To watch is to receive: the gift of dance

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  • Volume 4, Issue 6: November 2001
  • Mi Young Kim: celebrating a legacy
  • FIND 2001: looking back into the future
  • Dance programming at the Hummingbird Centre
  • Paul-André Fortier & Peggy Baker on Loin, très loin

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  • Volume 4, Issue 5: October 2001
  • Andrea Nann: fluid identities
  • Dancers Using Clown: just for entertainment?
  • body/machine: the intersection of dance & technology
  • Exiles: A Book of Questions: Marie-Josée Chartier & Linda Catlin Smith

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  • Volume 4, Issue 4: September 2001
  • Anik Bouvrette: creative residency in Ottawa
  • Newton Moraes: ten years in Toronto
  • Teaching Strategies: collaborative learning in the ballet studio
  • Colin McIntyre on CJ8: cross cultural exchange through dance

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  • Volume 4, Issue 3: July/August 2001
  • Michael Sean Marye: dance is a personal profession
  • Darcey Callison: a new work for fFIDA
  • Arts organizations and the real estate market
  • Invisible Fuel: the air we breathe

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  • Volume 4, Issue 2: June 2001
  • Lawrence Gradus from ABT to PDT
  • Eryn Dace Trudell in process for Heliotrope
  • Following up on the login:danc/se forum 2000
  • Your grant application part 2

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  • Volume 4, Issue 1: May 2001
  • COBA's Charmaine Headley and Eddison Lindsay
  • Viv Moore in creation for Hags
  • Aboriginal dance: a thread through time
  • Your grant application: the decision-making process

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  • Volume 3, Issue 11: April 2001
  • Siona Jackson is committed to jazz
  • Christopher House's new approach to creation
  • Karen Kaeja on kids and touring
  • Dance in the public school system

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  • Volume 3, Issue 10: March 2001
  • National Ballet of Canada's Matjash Mrozewski
  • Lata Pada and Cylla von Tiedemann in collaboration
  • CanAsian Dance Festival 2001
  • Health focus on insomnia

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  • Volume 3, Issue 9: February 2001
  • Julia Sasso: new directions as an independent
  • Le Groupe Dance Lab: Peter Boneham and Tedd Robinson on the creative process
  • Desrosiers Dance Theatre 1980-2000 (Pt. 2/2)
  • Health focus on the Achilles tendon

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  • Volume 3, Issue 8: January 2001
  • Michael Trent: a developing choreographer
  • Desrosiers Dance Theatre 1980-2000 (Pt. 1/2)
  • Dancer-driven work: Four Chambers Dance Project
  • A new mom returns to the stage

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  • Volume 3, Issue 7: December 2000
  • Canadian Children's Dance Theatre's Deborah Lundmark and Michael deConinck Smith
  • Nutcrackers from across Canada
  • The Nutcracker as ritual
  • Court of Miracles, memories of another Christmas dance tradition

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  • Volume 3, Issue 6: November 2000
  • Denise Fujiwara: gymnast to solo dance artist
  • A tribute to composer Michael J. Baker
  • Susanna Hood's still: a multi-media performance
  • Dancers for Life: HIV/AIDS awareness

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  • Volume 3, Issue 5: October 2000
  • Heather Macrimmon: hats, dance and costume design
  • Shared Habitat Festival of Art and the Environment
  • Denis Joffre's signature costume designs
  • Founding the Society for Canadian Dance Studies

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  • Volume 3, Issue 4: September 2000
  • Sarah Chase: riding a wave of success
  • Dance in public high school programs
  • Community arts: interaction through artistic expression
  • Vancouver's Scotiabank Dance Centre: from dream to reality

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  • Volume 3, Issue 3: July/August 2000
  • Canada Dance Festival 2000
  • Jazz dance: taking the stage
  • fringe Festival of Independent Dance Artists (ffIDA) lottery selection process
  • Anorexia: a personal struggle
  • Dancing outdoors: challenges and rewards

    Limited Edition - Unavailable


  • Volume 3, Issue 2: June 2000
  • Cathy Levy, dance producer in profile
  • Dance festivals, a Canadian legacy
  • The Artists' Health Centre in development
  • Dancing across Southern Ontario

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  • Volume 3, Issue 1: May 2000
  • Rina Singha, pioneer of Indian Classical dance in Canada
  • Graduating dance students look to the future
  • Contact Improvisation
  • South Asian dance at Canada's Museum of Civilization

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  • Volume 2, Issue 11: April 2000
  • The Lion King: Disney and modern dance
  • Randy Glynn and Pam Grundy, partners in life and dance
  • International Dance Day 2000
  • Archiving dance: a day in the life of an archivist

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  • Volume 2, Issue 10: March 2000
  • Dancemakers' Carolyn Woods
  • Irish dance: fiddles and footwork
  • Livia Daza-Paris' Under Her Heart: an intimate process
  • Income taxes made easy

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  • Volume 2, Issue 9: February 2000
  • Vivine Scarlett, dancer and founder of danceImmersion
  • Break dancing: up-rockin' downtown
  • Claudia Moore's creative process for Three Women
  • A view on reviewing

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  • Volume 2, Issue 8: January 2000
  • Dance into the millennium: 5 perspectives on the future of the art form
  • People to watch in the coming year
  • Looking back: 10 decades of dancing in Toronto
  • A plea for new dance criticism

    Limited Edition - Unavailable


  • Volume 2, Issue 7: December 1999
  • National Ballet of Canada dancer Jhe Russell
  • Not Just Any Body - a global dance conference
  • Ronald Taylor & Canboulay Dance Theatre in process
  • Dancers with wheels - mixed ability dance

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  • Volume 2, Issue 6: November 1999
  • An interview with former dancer Francisco Alvarez
  • 5 takes on Festival internationale de nouvelle danse (FIND)
  • Dancemakers' 25th anniversary
  • 8th Moving Pictures Festival of Dance on Film and Video

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  • Volume 2, Issue 5: October 1999
  • Pavlychenko Studio, nurturing dance in Toronto 1962-1986
  • National Ballet of Canada dancer Jaimie Tapper
  • Kate Alton in process for Calculated Risks
  • Saving dance on video - a brief guide

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  • Volume 2, Issue 4: September 1999
  • Sasha Ivanochko, member of Toronto Dance Theatre
  • Bill James's Les espaces enchanteurs, site specific work in process
  • Winnipeg Contemporary Dancers - The Pan American New Creation Project
  • The creative process: Christopher House, Shannon Cooney, Eddison B. Lindsay and Dominique Dumais

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  • Volume 2: Issue 3: July/August 1999
  • JoAnna Powell, independent artist and producer of The Next Event
  • The psychology of performance
  • Christopher Body: dancing in Kudelka's Swan Lake
  • On tour in Croatia with INMOTION
  • Health focus on water and hydration

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  • Volume 2, Issue 2: June 1999
  • Bob McCollum, teaching ballet and influencing lives
  • Kim Frank on working in Russia
  • Chinese Classical dance
  • CORPUS, Sylvie Bouchard and David Danzon in process

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  • Volume 2, Issue 1: May 1999
  • The Dance Current's first birthday: meet the team
  • Dance artist and publisher/editor Megan Andrews
  • On writing and dancing by Rebecca Todd
  • Peggy Baker on collaborating with pianist Andrew Burashko

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  • Volume 1, Issue 11: April 1999
  • Dancer/costume designer Jane Townsend
  • Bengt Jörgen's Romeo and Juliet in process
  • Baroque dance in Toronto
  • Doing your taxes (Pt. 3/3)

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  • Volume 1, Issue 10: March 1999
  • Peter Chin, choreographer, composer, costume designer (and organist?)
  • Post-secondary dance training in Toronto
  • Personal takes on training regimes
  • Doing your taxes (Pt. 2/3)

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  • Volume 1, Issue 9: February 1999
  • Flamenco artist Esmeralda Enrique
  • African dance's Toronto roots
  • Health care practitioners: what they can do for you
  • Gerry Trentham's creative process for Cathedral

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  • Volume 1, Issue 8: January 1999
  • 1998, The Year in Review
  • Ellora and Devraj Patnaik and the Chitralehka Dance Company
  • Doing your taxes (Pt. 1/3)
  • Self-producing: challenges and tips
  • Dance in Montréal: a personal perspective

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  • Volume 1, Issue 7: December 1998
  • Canadian Children's Dance Theatre's Wintersong
  • Mitch Kirsch: the choreographic process
  • Toronto Dance Theatre celebrates twenty years
  • Knee surgery: a personal account

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  • Volume 1, Issue 6: November 1998
  • Jennifer Fournier, dancer with the National Ballet of Canada
  • Serge Bennathan on creating C'est Beau Ça, La Vie! for Dancemakers
  • Archives/Publisher Dance Collection Danse's 15th anniversary
  • Jazz dance: raising the profile

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  • Volume 1, Issue 5: October 1998
  • Eddie Kastrau, member of the Danny Grossman Dance Company
  • Dancefilm, a case study by dance filmmaker Laura Taler
  • Dancer/choreographer Yvonne Ng in process
  • EDAM's summer dance intensive: a personal experience

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  • Volume 1, Issue 4: September 1998
  • In conversation with Peggy Baker
  • What is the Canadian Alliance of Dance Artists (CADA)?
  • Indian Classical dance's stylistic differences
  • Mitzvah, Skinner Releasing and Alexander Techniques: body conditioning methods

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  • Volume 1, Issue 3: July/August 1998
  • Musician/composer Geoff Bennett
  • Kaeja d'Dance's in-studio process
  • Transitioning out of dance: a personal perspective
  • Fringe Festival of Independent Dance Artists (fFIDA) 1998
  • Aerobic and anaerobic training for dance artists

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  • Volume 1, Issue 2: June 1998
  • Belly dance performer and teacher Yasmina Ramzy
  • An unusual dance company fundraiser, Season in a Day
  • Dramaturgy for dance
  • Advice on pain and pain relief

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  • Volume 1, Issue 1: May 1998 (currently unavailable)
  • Pat Miner, an influential Toronto modern dance teacher
  • Canada Dance Festival 1998
  • Dancers who work as technicians
  • Principles of muscle stretching

    Limited Edition - Unavailable


  • May 09, 2008














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