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Jurgita Dronina

Evan McKie and Tanya Howard in Wayne McGregor’s Genus / Photo by Aleksandar Antonijevic
 
Emerging Dance Critics Programme

Truly Mixed: Genus, Tarantella, Self and Soul and The Concert

By Valeria Nunziato

Four disparate works, precisely crafted by four distinguished artists, make one inspiring collection of dance for The National Ballet of Canada’s mixed program.

Robert Stephen, Brent Parolin, Skylar Campbell as Pinocchio and Alexandra MacDonald in The National Ballet of Canada’s Pinocchio / Photo by Aleksandar Antonijevic
 
Emerging Dance Critics Programme

Will Tuckett’s Pinocchio: A Canadian Talkie Ballet

By Dina Ginzburg

From plaid-clad, bearded lumberjacks, to backdrops evoking Group of Seven paintings, to a monstrous whale inhabiting the waters of a Nova Scotian fishing village, The National Ballet of Canada’s Pinocchio pays homage to the country hosting British choreographer Will Tuckett.

Skylar Campbell as Pinocchio and Artists of the Ballet in The National Ballet of Canada’s Pinocchio / Photo by Aleksandar Antonijevic
 
Emerging Dance Critics Programme

Pinocchio: Hybridized Ballet

By Sabrina Papas

If the audience of the opening night performance of Pinocchio was expecting a wholly classic, balletic rendition when the curtain rose, choreographer Will Tuckett defied those expectations.

 
Emerging Dance Critics Programme

Onegin

By Rya Marrelli

The exquisite screen of Russian writing at the front of the stage at the Four Seasons Centre for the Performing Arts begins the beautiful work that is choreographer John Cranko’s Onegin.

 
Emerging Dance Critics Programme

Onegin

By Sebastiano Bazzichetto

From the very first note, Tchaikovsky’s Onegin score enchanted, carrying the audience back to the sumptuous days of Imperial Russia.

 
Emerging Dance Critics Programme

Forget the Sylph: Where’s Effie?

By Marissa Trarback

In the midst of The National Ballet of Canada’s beautifully rendered performance of La Sylphide at the Four Seasons Centre for the Performing Arts, one might just wonder: where is Effie?

 
Emerging Dance Critics Programme

Competing Priorities

By Aziza Mohammed

While giving the story a subtly contemporary treatment relatable to the modern audience, The National Ballet of Canada’s production of La Sylphide explored the relationship between sacrifice and happiness in a faithful rendition of one of the world’s oldest ballets.

 
Emerging Dance Critics Programme

When Chasing the Sylph…

By Liz Ostil

Set to the traditional score by Herman Severin Løvenskjold, The National Ballet of Canada’s production of La Sylphide revisits one of the oldest classical ballets.

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